"Vengeance calling" by Jon Rob had its release date on March 23, 2021. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 4 out of 62 in Corrupted ones by Jon Rob. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Vengeance calling is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Vengeance calling by Jon Rob is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Homeless Guy / Heaven’s Night | Akira Yamaoka | G Major | 3 | 9B | 90 BPM | ||
| BIOHAZARD | Noah Ashwood | D♭ Major | 3 | 3B | 170 BPM | ||
| Smoke and Ashes | Experia | D♭ Minor | 3 | 12A | 166 BPM | ||
| Path to the Crystal Flower | Marina Frescobaldi | D♭ Major | 3 | 3B | 120 BPM | ||
| Intro Titles | Heiko Maile | E♭ Major | 1 | 5B | 112 BPM | ||
| The Dirt | Suat Can | G Major | 3 | 9B | 33 BPM | ||
| Velvet Afterglow | Ole Hansen | A Minor | 5 | 8A | 67 BPM | ||
| Blood Drenched Hall | Shadow's Symphony | A Minor | 3 | 8A | 70 BPM | ||
| Watery Grave | Shadow's Symphony | D Major | 4 | 10B | 59 BPM | ||
| Red Pyramid | Akira Yamaoka | G Major | 3 | 9B | 90 BPM | ||
| Character Creation & Tutorial | 内山 修作 | A Major | 2 | 11B | 59 BPM | ||
| Blu profondo | DAVIDE FERRO | G Major | 3 | 9B | 90 BPM | ||
| Tension Underscore 2 | AfterHours Audio | G Major | 3 | 9B | 90 BPM | ||
| Tracking the Prey | Michel F. April | A♭ Major | 9 | 4B | 137 BPM | ||
| Dental Hygiene Time | Tom Salta | B♭ Major | 4 | 6B | 153 BPM | ||
| Limbs That Don't Belong | Hugo Long, Alistair Kerley, Frankie Harper | E Minor | 2 | 9A | 130 BPM | ||
| Do You Have an Opinion on Fate? | Luke Richards | A♭ Major | 4 | 4B | 160 BPM | ||
| La Verdad | Julián Guajardo | D♭ Major | 0 | 3B | 120 BPM | ||
| Excelsior | Miles Spread | E Minor | 0 | 9A | 76 BPM | ||
| Communing | Thomas Haines | E♭ Major | 5 | 5B | 101 BPM | ||
| Dark Carnival | Soundscape | A♭ Major | 4 | 4B | 133 BPM | ||
| Cosmonauta | Non Binary | F Major | 6 | 7B | 90 BPM | ||
| Cirrenfold | Path to Nowhere | G Major | 3 | 9B | 90 BPM | ||
| The Lovecaster's Moondance | The Wizard of Loverland | D Major | 3 | 10B | 101 BPM | ||
| Too Much Oregano | Joseph Loduca | F Major | 2 | 7B | 102 BPM |