"早春賦(直江香世子によるソプラノとピアノ編)" by 中田章, 田村麻子, 江澤隆行 had its release date on August 26, 2015. The duration of This song is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. 早春賦(直江香世子によるソプラノとピアノ編)'s duration is considered a little bit shorter than the average duration of a typical track. There is only one song in ノスタルジア - 日本の歌, so we believe that "早春賦(直江香世子によるソプラノとピアノ編)" is a single. The popularity of 早春賦(直江香世子によるソプラノとピアノ編) is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 早春賦(直江香世子によるソプラノとピアノ編) by 中田章, 田村麻子, 江澤隆行 is Vivace (lively and fast), since this song has a tempo of 164 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 1/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sérénade à Watteau | Julie Fuchs | E♭ Major | 2 | 5B | 87 BPM | ||
| Used to Myself | Ria Mbanefo | E♭ Minor | 0 | 2A | 140 BPM | ||
| Mazurka No. 2, Op. 23 | Frantisek Drdla, Simon Blendis, Saoko Blendis | F Major | 2 | 7B | 106 BPM | ||
| タイスの瞑想曲 | Jules Massenet, Kyohei Sorita, 桐原宗生, MLMナショナル管弦楽団 | F Major | 0 | 7B | 83 BPM | ||
| Parenthèse | Raphaël Novarina, Oleks Bozhik, Yuliya Bozhik | C Minor | 2 | 5A | 100 BPM | ||
| Evermore | Paul Moravec, Maria Bachmann, Stephen Gosling | G Major | 0 | 9B | 68 BPM | ||
| 篤姫 - 2025 Live Version | 広上淳一, NHK Symphony Orchestra | C Major | 3 | 8B | 95 BPM | ||
| Toselli: Serenata, Op. 6 | Su Shien-Ta, Yu Tsui-Ling | D Major | 2 | 10B | 167 BPM | ||
| 普契尼: | Deniel and Carey Domb | E Minor | 2 | 9A | 92 BPM | ||
| 二つの悲しき旋律: 第1曲: 傷ついた心 | 石田泰尚, 石田組 | A Minor | 2 | 8A | 79 BPM | ||
| 愛之悲 | 最好的時光三重奏 | A Minor | 1 | 8A | 84 BPM | ||
| Medley (From "Cinema Paradiso") | Yoko Ara, Takehiko Yamada | D Major | 1 | 10B | 39 BPM | ||
| ロンドンデリーの歌(ダニー・ボーイ) - Harp Ver. | Classy Moon | F♯ Minor | 9 | 11A | 128 BPM | ||
| Rêve In Blue | Deneb Noir | C Major | 1 | 8B | 179 BPM | ||
| Tarantara, Tarantara | Olive the Otter Dog | E Major | 0 | 12B | 112 BPM | ||
| 愛しみのワルツ | 古澤巖 | E Minor | 3 | 9A | 179 BPM | ||
| 2つの小品 Nocturne | G. ゴルターマン, ラ・クァルティーナ, 藤森亮一(チェロ), 藤村俊介(チェロ), 銅銀久弥(チェロ), 桑田歩(チェロ) | C Major | 1 | 8B | 78 BPM | ||
| Sonata for Violin & Harp, Op. 113 (Version for Flute & Harp): I. Allegro brillante | Louis Spohr, András Adorján, Marielle Nordmann | D Major | 1 | 10B | 95 BPM | ||
| Much Ado about Nothing Suite, Op. 11: IV. Intermezzo (Garden Scene) | Erich Wolfgang Korngold, Mineria Symphony Orchestra, Carlos Miguel Prieto | C Major | 0 | 8B | 108 BPM | ||
| カプリオール組曲: V. Pieds-en-l'air | Peter Warlock, 石田組 | G Major | 1 | 9B | 114 BPM | ||
| 小舟にて 〜小組曲から〜 | TAPESTRY | C Major | 0 | 8B | 92 BPM | ||
| Hänsel und Gretel: Sleep Song (Arr. for Violin by Sydney Robjohns) | Engelbert Humperdinck, Simon Blendis, Saoko Blendis | D Major | 0 | 10B | 81 BPM | ||
| Rêve d'enfant, Op. 14 | Eugène Ysaÿe, Rachel Barton Pine, Matthew Hagle | B♭ Minor | 1 | 3A | 83 BPM | ||
| Sis Sonets: Sonetí de la rosada | Eduard Toldrà, Mac McClure, Juan Carlos Higuita | D♭ Major | 2 | 3B | 105 BPM | ||
| 銀河鉄道999 | Yukihide Takekawa, 石田組 | F Major | 3 | 7B | 116 BPM |