"Employed" by Theodore Shapiro had its release date on 2008. With This song being less than two minutes long, at 1:07, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Theodore Shapiro's "Marley & Me (Original Motion Picture Soundtrack)" album is number 15 out of 24. On top of that, United States appears to be the country where this track was created. In terms of popularity, Employed is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Employed by Theodore Shapiro to be Andante (at a walking pace) because the track has a tempo of 104 BPM, a half-time of 52BPM, and a double-time of 208 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Muzak Kier Hymn - ODESZA Severance Remix | ODESZA, Theodore Shapiro | E♭ Major | 5 | 5B | 156 BPM | ||
| A Way Out | Cristobal Tapia De Veer | F Major | 0 | 7B | 58 BPM | ||
| Bringing Her Home - Bonus Track | Alexis Grapsas | C Major | 0 | 8B | 73 BPM | ||
| Hombre Por Hombre | Hasta El Final | F♯ Minor | 0 | 11A | 110 BPM | ||
| Building | Dan Deacon | D Major | 3 | 10B | 165 BPM | ||
| All Men Can Be Broken | Atticus Ross, Leopold Ross, Nick Chuba | A♭ Minor | 1 | 1A | 173 BPM | ||
| The Foundation | Bear McCreary, Sparks & Shadows | C Minor | 2 | 5A | 83 BPM | ||
| Mars Maven | Anže Rozman, Andrew Christie | D♭ Minor | 1 | 12A | 78 BPM | ||
| The Long Way Home | Jan Miserre, John Gürtler | B♭ Major | 1 | 6B | 70 BPM | ||
| Confession | Atticus Ross, Leopold Ross, Nick Chuba | C Major | 1 | 8B | 70 BPM | ||
| More Than A Friend | Will Bates | E Minor | 1 | 9A | 150 BPM | ||
| View From The Westgate | Dave Porter | C Major | 1 | 8B | 74 BPM | ||
| Not Before We Get Pizza | Alexis Grapsas | C Major | 0 | 8B | 73 BPM | ||
| The List | Will Bates | F Major | 1 | 7B | 81 BPM | ||
| Main Titles | Theodore Shapiro | B♭ Major | 2 | 6B | 128 BPM | ||
| Playing With Fish | Kevin Smuts | A Major | 1 | 11B | 117 BPM | ||
| A Kind Word and a Friendly Face | David Buckley | E Major | 1 | 12B | 78 BPM | ||
| Skin | Ben Salisbury, Geoff Barrow | D♭ Major | 0 | 3B | 108 BPM | ||
| Taco Tuesday | Colin Stetson | G Minor | 3 | 6A | 135 BPM | ||
| Puddy in your hands | David Holmes | C Minor | 0 | 5A | 211 BPM | ||
| One Battle After Another | Jonny Greenwood | C Minor | 1 | 5A | 66 BPM | ||
| Emperor Couple | Johannes Lehniger, Lisa Morgenstern, Sebastian Damerius | B♭ Minor | 1 | 3A | 72 BPM | ||
| Salt’s Neck | Theodore Shapiro | C Major | 1 | 8B | 66 BPM | ||
| Missouri | Danny Bensi and Saunder Jurriaans | D Major | 2 | 10B | 146 BPM | ||
| She Ignited My Curiosity | Kevin Smuts | F Major | 4 | 7B | 120 BPM |