Mathis Der Maler, 6th Tableau, Scene 1: Einleitung (Orchester)... Du wirst mich verlieren by Paul Hindemith, Rafael Kubelik, Bayerischer Rundfunk, Bavarian Radio Symphony Orchestra Song Details

"Mathis Der Maler, 6th Tableau, Scene 1: Einleitung (Orchester)... Du wirst mich verlieren" by Paul Hindemith, Rafael Kubelik, Bayerischer Rundfunk, Bavarian Radio Symphony Orchestra had its release date on April 1, 1995. The duration of This song is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Mathis Der Maler, 6th Tableau, Scene 1: Einleitung (Orchester)... Du wirst mich verlieren's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Paul Hindemith, Rafael Kubelik's "Hindemith: Mathis der Maler" album is number 1 out of 61. The popularity of Mathis Der Maler, 6th Tableau, Scene 1: Einleitung (Orchester)... Du wirst mich verlieren is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

We consider the tempo marking of Mathis Der Maler, 6th Tableau, Scene 1: Einleitung (Orchester)... Du wirst mich verlieren by Paul Hindemith, Rafael Kubelik, Bayerischer Rundfunk, Bavarian Radio Symphony Orchestra to be Vivace (lively and fast) because the track has a tempo of 176 BPM, a half-time of 88BPM, and a double-time of 352 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.

Music Key

This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -22.009 dB
Acousticness: 98%
Danceability: 20%
Energy: 9%
Instrumentalness: 9%
Liveness: 8%
Loudness: 63%
Speechiness: 5%
Valence: 4%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
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String Quartet in E flat major: I Adagio ma non troppo	Fanny Mendelssohn, Quatuor Ébène	F Minor	1	4A	83 BPM
Herzlich tut mich verlangen, BWV 727 (Arr. for Orchestra by Sir Andrew Davis)	Johann Sebastian Bach, Martyn Brabbins, BBC Philharmonic	E♭ Major	0	5B	73 BPM
Chamber Symphony No. 5 in A-Flat Major, Op. 118a: I. Andante	Dmitri Shostakovich, Yuli Turovsky, I Musici de Montréal	D♭ Major	0	3B	106 BPM
Violin Sonata in E Minor, P. 85: IV. Giga. Vivace assai (After J.S. Bach's BWV 1023)	Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz	E Minor	0	9A	121 BPM
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Love's Labour's Lost, Op. 28a: II. Longaville's Sonnet	Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths	D Minor	0	7A	94 BPM
Symphony of Psalms, K52: II. Expectans expectavi Dominum (Psalm 40)	Igor Stravinsky, Berliner Philharmoniker, Pierre Boulez, Rundfunkchor Berlin	B♭ Minor	0	3A	83 BPM
Romeo and Juliet, Op. 64, Act I: No. 6, The Fight	Sergei Prokofiev, Los Angeles Philharmonic, Gustavo Dudamel	D Minor	4	7A	99 BPM
Symphony No. 1 in F Minor, Op. 10: III. Lento - Largo - Lento	Dmitri Shostakovich, Gianandrea Noseda, London Symphony Orchestra	E Major	0	12B	76 BPM
Bartók: String Quartet No. 2 in A Minor, Op. 17, Sz. 67: II. Allegro molto capriccioso	Béla Bartók, Belcea Quartet	G Major	2	9B	98 BPM
Barcarolle No. 12, Op. 106 bis	Gabriel Fauré, Louis Lortie	E♭ Major	0	5B	107 BPM
Les soirs illuminés par l'ardeur du charbon, L.150 (Arr. by Colin Matthews)	Claude Debussy, Colin Matthews, Hallé, Sir Mark Elder	D♭ Major	0	3B	79 BPM
Gaspard de la nuit: I. Ondine (arr. M. Constant for orchestra)	Maurice Ravel, フランス国立リヨン管弦楽団, レナード・スラットキン	D♭ Major	0	3B	115 BPM
Piano Concerto in B-Flat Minor, Op. 37: III. Furiosa	Kurt Atterberg, Love Derwinger, NDR Radiophilharmonie, Ari Rasilainen	B♭ Minor	2	3A	118 BPM
Pulcinella, K 034: VIII. Minuetto	Igor Stravinsky, Orquestra De Cambra Teatre Lliure, Josep Pons	C Minor	0	5A	77 BPM
Summer Music, Op. 31: III. Faster	Samuel Barber, Ensemble Ouranos	D Minor	4	7A	99 BPM
Piano Quintet in C Minor: II. Scherzo: Allegro non troppo	Alexander Borodin, Ilona Prunyi, New Budapest Quartet	C Major	1	8B	115 BPM
Shostakovich: Piano Quintet in G Minor, Op. 57: IV. Intermezzo. Lento	Dmitri Shostakovich, Borodin Quartet, Elisabeth Leonskaja	G Major	1	9B	90 BPM
Schoenberg: Verklärte Nacht, Op. 4: V. Adagio, molto tranquilo	Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston	E Minor	1	9A	125 BPM
Viola Concerto: I. Andante comodo	William Walton, Paul Hindemith, William Primrose, Sir Malcolm Sargent, Royal Philharmonic Orchestra	B♭ Major	1	6B	175 BPM
Verklärte Nacht, Op. 4 (Version for String Orchestra): IV. Adagio (Bar 229)	Arnold Schoenberg, Danish National Symphony Orchestra, Fabio Luisi	D Major	2	10B	79 BPM
Piano Trio in G: IV. Finale (Appassionato)	Claude Debussy, Trio Parnassus	E Minor	0	9A	177 BPM
Violin Sonata, Op. 31, No. 2, "Es ist so schönes Wetter draussen": I. Leicht bewegte Viertel	Paul Hindemith, Frank Peter Zimmermann	E Minor	1	9A	101 BPM