Guillaume Dufay, Julyo's ' "Hi Sunt Quos Retinens" was released on its scheduled release date, August 19, 2019. With This song being less than two minutes long, at 1:57, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 63 in the song's album "Time Machine: The Renaissance". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United States. In terms of popularity, Hi Sunt Quos Retinens is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Hi Sunt Quos Retinens by Guillaume Dufay, Julyo having a BPM of 112 with a half-time of 56 BPM and a double-time of 224 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lachrimae or Seven Tears: II. Lachrimae antiquae novae | John Dowland, Phantasm, Elizabeth Kenny | E Major | 1 | 12B | 112 BPM | ||
| Saltarello della tedesca | Giorgio Mainerio, Musica Antiqua, Christian Mendoze | D Minor | 1 | 7A | 129 BPM | ||
| Quinto Ballo detto lo Ninfe di Senna: Canario | Lorenzo Allegri, L'Arpeggiata, Christina Pluhar | F Minor | 3 | 4A | 110 BPM | ||
| D'ung aultre amer / Lhome arme | Philippe Basiron, Capilla Flamenca | E Minor | 0 | 9A | 60 BPM | ||
| Te lucis ante terminum I | Thomas Tallis, Owain Park, The Gesualdo Six | A♭ Minor | 0 | 1A | 95 BPM | ||
| Suite No. 1 in C Major: II. Spagnoletta | Michael Praetorius, The New York Renaissance Band, Sally Logemann | C Major | 0 | 8B | 112 BPM | ||
| Pax in nomine domini! | Marcabru, Nigel Rogers, Early Music Consort Of London, David Munrow | E Minor | 1 | 9A | 170 BPM | ||
| Dansereye (1551): Passe e medio/ Reprise 'Le Pingue' | Tylman Susato, New London Consort, Philip Pickett | D Minor | 1 | 7A | 170 BPM | ||
| Tout par compas, Fol. 12 (Rondeau/Canon) | Baude Cordier, Tetraktys | E Minor | 9 | 9A | 135 BPM | ||
| Par droit je puis bien complaindre et gemir | Guillaume Dufay, Ensemble Gilles Binchois, Dominique Vellard | F Major | 1 | 7B | 171 BPM | ||
| Ja nus hons pris ne dira sa raison (Under the Greenwood Tree): Ja nuls homs pris | Richard I of England, Estampie, Graham Derrick | F Major | 0 | 7B | 95 BPM | ||
| Ahi! Amours | Conon de Béthune, Nigel Rogers, Early Music Consort Of London, David Munrow | E Minor | 1 | 9A | 81 BPM | ||
| Pasacalles de cuarto tono, WSC 102 - Version for Consort of 4 Viols and Harp | Juan Cabanilles, Philippe Pierlot, Myriam Rignol, Anna Lachegyi, Lucile Boulanger, Giovanna Pessi | A♭ Minor | 1 | 1A | 91 BPM | ||
| Introitus: Gaudeamus omnes in domino | Guillaume de Machaut, Ensemble Gilles Binchois, Dominique Vellard | E Major | 1 | 12B | 73 BPM | ||
| Byrd: Christe redemptor a 4 | William Byrd, Fretwork | B♭ Major | 0 | 6B | 95 BPM | ||
| Salve flos Tusce / Vos nunc Etruscorum iubar / Viri mendaces | Guillaume Dufay, Cantica Symphonia | C Major | 0 | 8B | 63 BPM | ||
| Ricercare terzo | Girolamo Frescobaldi, Harmonia Recorder Ensemble | D Minor | 0 | 7A | 131 BPM | ||
| L'aspido sordo | Donato da Cascia, La Reverdie | C Major | 1 | 8B | 88 BPM | ||
| Terpsichore*: Bransle Double 3 | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | G Minor | 0 | 6A | 77 BPM | ||
| Chansons (arr. for voice and chamber ensemble): Resvelons nous | Guillaume Dufay, Bernhard Landauer, Unicorn Ensemble, Michael Posch | A Minor | 1 | 8A | 134 BPM | ||
| Messe de Nostre Dame: Ite missa est | Guillaume de Machaut, Oxford Camerata, Jeremy Summerly | F Major | 1 | 7B | 66 BPM | ||
| Cantigas de Santa Maria: Maravillosos e Piadosos | Alfonso X El Sabio, Alla Francesca, Brigitte Lesne | C Major | 2 | 8B | 121 BPM | ||
| Shepheards Holyday or Labour in Vaine | The Broadside Band | B♭ Major | 1 | 6B | 94 BPM | ||
| Fantaisie | Lorenzini, Le Poème Harmonique, Vincent Dumestre | A Minor | 0 | 8A | 84 BPM | ||
| Chansons (arr. for voice and chamber ensemble): J'ay mis mon cuer | Guillaume Dufay, Bernhard Landauer, Unicorn Ensemble, Michael Posch | G Major | 2 | 9B | 151 BPM |