Ricardo Castro, Armando Merino's ' "Impromptu No. 2, Op. 28, en Forme de Polke" was released on its scheduled release date, March 21, 2016. With this song being around four minutes long, at 4:09, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Ricardo Castro, Armando Merino's "La Belle Epoque: El México de Ricardo Castro" album is number 2 out of 23. On top of that, Mexico appears to be the country where this track was created. Impromptu No. 2, Op. 28, en Forme de Polke is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Impromptu No. 2, Op. 28, en Forme de Polke by Ricardo Castro, Armando Merino to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Miscellanea, Op. 16: No. 2, Melodie in G-Flat Major | Ignacy Jan Paderewski, Yukio Yokoyama | F♯ Major | 0 | 2B | 90 BPM | ||
| Brahms: 3 Intermezzi, Op. 117: No. 2 in B-Flat Minor | Johannes Brahms, Lars Vogt | E♭ Minor | 0 | 2A | 58 BPM | ||
| Spanish Dance, Op.37, No.3 "Zarabanda" | Enrique Granados, Alicia de Larrocha | D Major | 1 | 10B | 90 BPM | ||
| Etudes-Tableaux, Op. 33, No. 6 in E-Flat Major | Hélène Grimaud | E♭ Major | 2 | 5B | 134 BPM | ||
| Am Seegestade, Op. 17. Concert Etude - Welte-Mignon 370 | Bedřich Smetana, Peter Phillips, Teresa Carreño | A♭ Major | 1 | 4B | 67 BPM | ||
| Les Soirees de Pausilippe, Hommage a Rossini: 24 Pensees Musicales, Op. 75: I. Andantino In A-Flat Major | Sigismond Thalberg, Francesco Nicolosi | A♭ Major | 0 | 4B | 70 BPM | ||
| パリの四月[A. ワイセンベルク編) | ヴァルター・アイガー, シャルル・トレネ, Kotaro Fukuma | A Major | 1 | 11B | 138 BPM | ||
| Todo paso … | Felipe Villanueva, Jorge Federico Osorio | D♭ Major | 0 | 3B | 60 BPM | ||
| Ilusiones perdidas (Lost Dreams) | Ignácio Cervantes, Alvaro Cendoya | A Major | 2 | 11B | 136 BPM | ||
| Moments Musicaux, Op. 94: No. 3, in F Minor - Welte-Mignon 1211 | Franz Schubert, Vladimir de Pachmann, Peter Phillips | F Minor | 0 | 4A | 95 BPM | ||
| Aria-Cantilena (N. 1 das Bachianas Brasileiras Nº 5) | Daniela Mercury, Ricardo Castro | A Minor | 2 | 8A | 112 BPM | ||
| Cello Sonata in G Minor, Op. 19: III. Andante | Sergei Rachmaninoff, Anna Fedorova, Nordwestdeutsche Philharmonie, Laércio Diniz, Benedict Kloeckner | G Major | 1 | 9B | 79 BPM | ||
| Pavana-Capricho, Op. 12 | Isaac Albéniz, Alicia de Larrocha | E Major | 1 | 12B | 77 BPM | ||
| Holberg Suite, Op. 40: IV. Air. Andante religioso | Edvard Grieg, Aristo Sham | G Major | 2 | 9B | 148 BPM | ||
| La Favorita: Grand Morceau De Concert on Themes (Arr. By Ascher, Op. 74) - Duo-Art 72479 | Gaetano Donizetti, Peter Phillips, Genevieve Pitot | A Major | 2 | 11B | 91 BPM | ||
| Granados: 8 Valses poéticos: Introducción - No. 1, Melódico | Enrique Granados, Alicia de Larrocha | N/A | N/A | N/A | 0 BPM | ||
| Bacarola | Ricardo Castro, Raúl Herrera Marquez | D♭ Major | 0 | 3B | 103 BPM | ||
| Moments musicaux, D. 780: No. 3 in F Minor (Arr. Godowsky) | Franz Schubert, Rian De Waal | F♯ Minor | 0 | 11A | 178 BPM | ||
| Minuetto, Op. 23 | Ricardo Castro, Orchestra of the Americas, Benjamin Juarez Echenique | G Major | 2 | 9B | 107 BPM | ||
| Nocturnes, Op. 16: IV. Nocturne No. 4 | Ignacy Jan Paderewski, Hubert Rutkowski | E Minor | 1 | 9A | 76 BPM | ||
| L'art de Délier Les Doigts, Op. 740.: Etude de Bravoure | Carl Czerny, Jean-Frédéric Neuburger | B Major | 0 | 1B | 128 BPM | ||
| Piano Sonata, Op. 53: II. Intermezzo in B-Flat Major | Ludwig Theodor Schytte, Hugh Hodgson, Peter Phillips | G Major | 1 | 9B | 140 BPM | ||
| Valse Arabesque, Op. 98 No. 4 | Cécile Chaminade, Eric Parkin | D♭ Major | 1 | 3B | 67 BPM | ||
| Romance Variée, Op. 3 | Clara Schumann, Noemí Teruel Serrano | C Major | 1 | 8B | 68 BPM | ||
| 4 piezas españolas: II. Cubana (Moderato) | Manuel de Falla, Javier Perianes | A Major | 0 | 11B | 132 BPM |