- BPM
- 113
- Key
- E Major
- Camelot
- 12B
Camptown Races by Various World Reknowed Orchestras And Conductors Song Details
Various World Reknowed Orchestras And Conductors's ' "Camptown Races" was released on its scheduled release date, January 1, 2006. The duration of This song is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Camptown Races's duration is considered a little bit shorter than the average duration of a typical track. The song is number 24 out of 111 in A Treasury of Golden Classics by Various World Reknowed Orchestras And Conductors. In terms of popularity, Camptown Races is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
BPM and Tempo
The tempo marking of Camptown Races by Various World Reknowed Orchestras And Conductors is Moderato (at a moderate speed), since this song has a tempo of 113 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
Music Key
The music key of this track is E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -20.52 dB
- Acousticness
- 99%
- Danceability
- 62%
- Energy
- 36%
- Instrumentalness
- 0%
- Liveness
- 18%
- Loudness
- 66%
- Speechiness
- 6%
- Valence
- 55%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Carmen, Opera Suite No. 1: I. Prelude, Act 1 | London Festival Orchestra Alfred Scholz | G Minor | 1 | 6A | 47 BPM | |
 | Tom’s Midnight Garden Suite | Dirk Brossé, Brussels Philharmonic, Debbie Wiseman | C Minor | 1 | 5A | 95 BPM | |
 | La Bayadere, Act I, Scene 2: 14. "Ankle Scarf Dance and Coda" | Evergreen Symphony Orchestra, Kevin Galiè | A Major | 1 | 11B | 101 BPM | |
 | The Sleeping Beauty, Op. 66a: No. 5, Waltz | Orchestra da Camera Fiorentina, Giuseppe Lanzetta | B♭ Major | 2 | 6B | 175 BPM | |
 | Coppélia, Tableau 1: No. 3 Mazurka | Léo Delibes, Orchestra Victoria, Barry Wordsworth | E♭ Major | 2 | 5B | 142 BPM | |
 | Echoes of Day | Nuit | G Major | 5 | 9B | 104 BPM | |
 | Sylvia: Act I: Valse lente | Léo Delibes, Razumovsky Symphony Orchestra, Andrew Mogrelia | A♭ Major | 0 | 4B | 111 BPM | |
 | Spanish Capriccio in A Major, Op. 34: II. Variazioni. Andante con moto | Nikolai Rimsky-Korsakov, Czech Philharmonic, Vladimír Válek | E Minor | 1 | 9A | 76 BPM | |
 | Mother Tree | Saleh Sarabov, Saleh Sarab | A♭ Major | 3 | 4B | 110 BPM | |
 | The Unforgettable Year 1919 Suite, Op. 89a: The Assault On The Red Hill, "Assault On Beautiful Gorky" | Lev Atovmyan, Ellena Alekseyeva, Moscow Symphony Orchestra, Dmitri Shostakovich | F Major | 2 | 7B | 103 BPM | |
 | Giselle, Act 1: No. 3 Giselle’s Entrance, Giselle and Albrecht first meet and are discovered by Hilarion | Adolphe Adam, Tasmanian Symphony Orchestra, Nicolette Fraillon | E♭ Major | 1 | 5B | 88 BPM | |
 | Carmen Suite: VIII. Bolero (after G. Bizet): Torero | Rodion Shchedrin, Ukrainian State Symphony Orchestra, Theodore Kuchar | F Major | 3 | 7B | 97 BPM | |
 | The Dance of the Snowflakes | Ronald Binge, Slovak Radio Symphony Orchestra, Ernest Tomlinson | C Major | 0 | 8B | 93 BPM | |
 | Serenade, Op. 15 No. 1 | Moritz Moszkowski, Radio Symphony Orchestra | A♭ Minor | 4 | 1A | 155 BPM | |
 | La Sylphide: Act I: Pas de deux - Reel | Herman Severin Løvenskiold, Kim Sjøgren, Royal Danish Orchestra, David Garforth | F Major | 1 | 7B | 101 BPM | |
 | Strauss, R: Der Bürger als Edelmann Suite, Op. 60-IIIa: V. Das Menuett des Lully | Richard Strauss, Jeffrey Tate, English Chamber Orchestra | G Major | 0 | 9B | 59 BPM | |
 | Waltz in A flat major, Op.39 No. 15 | Johannes Brahms, Radio Symphony Orchestra | A Major | 1 | 11B | 89 BPM | |
 | Prince And Princess | Various World Reknowed Orchestras And Conductors | D Major | 1 | 10B | 91 BPM | |
| La Bayadere, Act III: 39. "Entrance of the Shades" | Evergreen Symphony Orchestra, Kevin Galiè | D Major | 0 | 10B | 76 BPM | |
 | Emma, ou la promesse imprudente, S. 6 (Excerpts): Entr'acte to Act II | Daniel Auber, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 78 BPM | |
 | Rêve Astral | Etoilee | F Minor | 8 | 4A | 119 BPM | |
| La Bayadere, Act I, Scene 1: 1. “Introduction" | Evergreen Symphony Orchestra, Kevin Galiè | D Major | 0 | 10B | 129 BPM | |
 | Ballerina Grazidsa | London Philharmonic Orchestra | C Major | 2 | 8B | 105 BPM | |
 | By The Sleepy Lagoon | Eric Coates, East of England Orchestra, Malcolm Nabarro | A Minor | 1 | 8A | 73 BPM | |
| Strauss, R: Der Bürger als Edelmann Suite, Op. 60-IIIa: VI. Courante | Richard Strauss, Jeffrey Tate, English Chamber Orchestra, Clifford Benson, José-Luis Garcia | G Major | 0 | 9B | 59 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records