On October 23, 2015, the song "So Much for a House Call" was released by Austin Wintory, Assassin's Creed. With This song being less than two minutes long, at 1:41, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 33 out of 36 in Assassin's Creed Syndicate (Original Game Soundtrack) by Austin Wintory. Going off of the ISRC code of this track, we detected that the origin of this track is from Canada. Based on our statistics, So Much for a House Call's popularity is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of So Much for a House Call by Austin Wintory, Assassin's Creed is Moderato (at a moderate speed), since this song has a tempo of 120 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Countdown | Jesper Kyd, Assassin's Creed | D Major | 4 | 10B | 140 BPM | ||
| Through the Embers | Stephanie Economou, Assassin's Creed | B Minor | 7 | 10A | 165 BPM | ||
| Santa Lucia | Joe Henson, Alexis Smith, Assassin's Creed | D♭ Major | 6 | 3B | 115 BPM | ||
| The Seeding | Geoff Knorr | G Minor | 4 | 6A | 112 BPM | ||
| Atonement | Austin Wintory | D Minor | 4 | 7A | 75 BPM | ||
| The Wages of Treason | Doyle W. Donehoo | D Minor | 5 | 7A | 140 BPM | ||
| The Pact Laid Waste | Maclaine Diemer | A Major | 1 | 11B | 96 BPM | ||
| The New Century | Jessica Curry | D Minor | 4 | 7A | 129 BPM | ||
| Journey To The Demon Doors | Russell Shaw | E♭ Minor | 1 | 2A | 63 BPM | ||
| House of Ruin (Trailer) | Stuart Chatwood | B♭ Major | 3 | 6B | 97 BPM | ||
| Legions of Blood | Sarah Schachner | D Major | 8 | 10B | 120 BPM | ||
| Eternal Conflict | Wilbert Roget, II | A♭ Minor | 6 | 1A | 126 BPM | ||
| Mines of Avarice Ambience - Tiny Tina's Assault on Dragon Keep | Raison Varner | D Major | 0 | 10B | 119 BPM | ||
| A Clash of Fang and Flame | Brad Derrick | F Major | 6 | 7B | 112 BPM | ||
| Wine Wars | Piotr Musiał | D Minor | 9 | 7A | 80 BPM | ||
| The Luxon | Critical Role, Omar Fadel | E Minor | 5 | 9A | 72 BPM | ||
| Confrontation - Kara | Philip Sheppard | B Minor | 6 | 10A | 140 BPM | ||
| Dark Mitochondria | Stuart Chatwood | F Minor | 8 | 4A | 140 BPM | ||
| The Dragon Thrashed and Wailed | Justin Bell | E Major | 3 | 12B | 150 BPM | ||
| Cut with a Keen-Edged Sword | Austin Wintory | A Minor | 6 | 8A | 138 BPM | ||
| Howl Of The White Wolf | Adam Skorupa, Krzysztof Wierzynkiewicz | F Minor | 9 | 4A | 100 BPM | ||
| For Blood, for Glory, for Honor | Jeremy Soule | C Minor | 5 | 5A | 150 BPM | ||
| The Twilight Flight | Austin Wintory | E♭ Major | 7 | 5B | 82 BPM | ||
| A Land of War and Poetry (feat. Jeremy Soule) | Brad Derrick, Jeremy Soule | A Minor | 5 | 8A | 100 BPM | ||
| Fane's Theme | Borislav Slavov | G Minor | 2 | 6A | 90 BPM |