Bryyn, M. Savvy, Rachelle's ' "Coma" was released on its scheduled release date, March 1, 2013. With this song being around four minutes long, at 3:36, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Bryyn's "In Hiding" album is number 6 out of 8. Coma is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Coma by Bryyn, M. Savvy, Rachelle to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Trust You | Jett Nova | F Major | 1 | 7B | 151 BPM | ||
| In the Grass | Axel Flóvent | G Major | 6 | 9B | 105 BPM | ||
| We're Gonna Be Okay | Cody Francis | B♭ Major | 4 | 6B | 100 BPM | ||
| Yellow Light Waiting | JADIEL MUSK | G Major | 6 | 9B | 105 BPM | ||
| Bridges | Volcan Peaks | G Major | 4 | 9B | 177 BPM | ||
| Fields Of Yesteryears | Jambrains | B♭ Major | 4 | 6B | 158 BPM | ||
| The Room Upstairs | Joe Lewis | D Major | 6 | 10B | 159 BPM | ||
| Sea Swell | How I Became A Wave | G Major | 6 | 9B | 105 BPM | ||
| Gin And Lime | Derairaise | F Minor | 7 | 4A | 175 BPM | ||
| Heart | Stars | G Minor | 5 | 6A | 154 BPM | ||
| At the Edge of Reality | Ill-minded Cameo | G Major | 6 | 9B | 105 BPM | ||
| Come out of the Shade | The Perishers | E Major | 4 | 12B | 100 BPM | ||
| Low Is A Height | Great Northern | A Minor | 5 | 8A | 120 BPM | ||
| Titanic Death | Bryyn | C Major | 8 | 8B | 120 BPM | ||
| Startling Revelations | Le Concorde | E♭ Major | 4 | 5B | 131 BPM | ||
| Conversation | The Silent League | D Major | 4 | 10B | 144 BPM | ||
| One Last Time | broselle + naysh | B Major | 6 | 1B | 142 BPM | ||
| Heart And Mind | James Tonic | G Major | 6 | 9B | 105 BPM | ||
| Reckless | The Eastern Plain | C Major | 3 | 8B | 113 BPM | ||
| Not What I Am | Sean Kearns | A Major | 6 | 11B | 92 BPM | ||
| Snowing in Wyoming | Bryyn | F Major | 5 | 7B | 83 BPM | ||
| After Afterall | William Fitzsimmons | E♭ Major | 1 | 5B | 68 BPM | ||
| Fractals | Bryyn | A♭ Minor | 9 | 1A | 164 BPM | ||
| I Want You to Want Me | Dan Pundak | D♭ Major | 7 | 3B | 147 BPM | ||
| Held In The Arms Of Your Words | Tired Pony | D Major | 4 | 10B | 170 BPM |