E.E. Cummings's 'Him (From "The Acrobat Passage")' had a release date set for January 1, 1953. This song is about six minutes long, preciously at 6:03, making this song fairly long compared to other songs. The song is number 1 out of 21 in E.E. Cummings Reads His Poetry by E.E. Cummings. Going off of the ISRC code of this track, we detected that the origin of this track is from Australia. The popularity of Him (From "The Acrobat Passage") is currently unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Him (From "The Acrobat Passage") by E.E. Cummings is Presto (very, very fast), since this song has a tempo of 184 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Roots of Empathy | Eckhart Tolle | D♭ Minor | 1 | 12A | 172 BPM | ||
| Father William | O' Rourke | A Minor | 1 | 8A | 160 BPM | ||
| Beyond the Last Lamp | Richard Burton | F♯ Major | 2 | 2B | 123 BPM | ||
| True Desert Horror Stories, Pt. 5 | Mr. Nightmare | E Minor | 2 | 9A | 126 BPM | ||
| e.e. cummings - as freedom is a breakfastfood | E.E. Cummings | C Major | 1 | 8B | 89 BPM | ||
| Ephesians 6:10-20 | His Words | D♭ Major | 8 | 3B | 81 BPM | ||
| Santa Claus (From "Scene Three") | E.E. Cummings | F Minor | 2 | 4A | 117 BPM | ||
| Ozymandias | Percy Bysshe Shelley, Vincent Price | G Major | 1 | 9B | 127 BPM | ||
| Slaughterhouse 5, Pt. 8 and 9 | Kurt Vonnegut | B♭ Minor | 1 | 3A | 128 BPM | ||
| Deep Thought | Ugozy | E Major | 0 | 12B | 133 BPM | ||
| Childhood Perspective (Dick) | Rob Crean | F Major | 4 | 7B | 103 BPM | ||
| The Ballad of the Long-Legged Bait | Richard Burton | D♭ Major | 1 | 3B | 90 BPM | ||
| Beautiful Cosmos | Ivor Cutler | D♭ Major | 1 | 3B | 118 BPM | ||
| Adam and Eve | Bible Dreaming | D♭ Major | 6 | 3B | 86 BPM | ||
| The Story Of Chaos | Stephen Fry, Debbie Wiseman, National Symphony Orchestra | F Minor | 3 | 4A | 77 BPM | ||
| Ye | Jenninex | B Major | 1 | 1B | 69 BPM | ||
| After Apple Picking | Robert Frost | A Major | 1 | 11B | 136 BPM | ||
| Eating My Heart | Alabaster DePlume | C Major | 1 | 8B | 116 BPM | ||
| Morning Desires | Morris Jones | E Major | 0 | 12B | 170 BPM | ||
| e.e. cummings - anyone lived in a pretty how town | E.E. Cummings | F♯ Minor | 0 | 11A | 100 BPM | ||
| Don't be a hater | Gurlt | A Major | 1 | 11B | 96 BPM | ||
| 4 Scary True Night Shift Stories - Part 6 | Mr. Nightmare | D Major | 5 | 10B | 160 BPM | ||
| The Gettysburg Address | Orson Welles | B Major | 2 | 1B | 101 BPM | ||
| God, Christ, Gurus | Self-Realization Fellowship | D♭ Major | 6 | 3B | 121 BPM | ||
| The Fox.2 - The Little Prince | Antoine de Saint-Exupéry | F♯ Major | 2 | 2B | 82 BPM |