On 2012, the song "Mharo Prdesi Aayo" was released by Rajwinder Singh, Sonam Kour. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Rajwinder Singh, Sonam Kour's "Mahari Nawal Bani" album is number 3 out of 6. On top of that, India appears to be the country where this track was created. In terms of popularity, Mharo Prdesi Aayo is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Mharo Prdesi Aayo by Rajwinder Singh, Sonam Kour to be Andante (at a walking pace) because the track has a tempo of 99 BPM, a half-time of 50BPM, and a double-time of 198 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Madam ji | Krishan Chauhan | B♭ Major | 7 | 6B | 132 BPM | ||
| Gal Chhed Lagna Ri | Sujata Bhardwaj | F♯ Major | 10 | 2B | 120 BPM | ||
| Sitamgar Mat Gira Apni Nazar Se | Arshad Kamli | F♯ Major | 9 | 2B | 156 BPM | ||
| Sai Tere Naam Ke Deewane | Pankaj Raj | D Major | 7 | 10B | 100 BPM | ||
| Kangana | Aashish Yadav | A Major | 10 | 11B | 85 BPM | ||
| Kissa Heer Ranjha Heer Jane Wali Ruk Jaiye Jaraa | Komal Choudhary, Tarun Baliyan | A♭ Minor | 9 | 1A | 126 BPM | ||
| Koi Mausam Ho | Lakhbir Singh Lakkha | E Minor | 8 | 9A | 180 BPM | ||
| Mahua Re | Suman Gupta | F♯ Minor | 9 | 11A | 122 BPM | ||
| Jattiyana Ke Boss | Aslam Singer Mewati, Rihan Mewati | C Major | 10 | 8B | 130 BPM | ||
| Panchuji Wali Pihar | Hemraj Saini | A Major | 9 | 11B | 172 BPM | ||
| Mukhra - From "America" | Rajwinder Singh, Kuldeep Kaur | F♯ Minor | 9 | 11A | 98 BPM | ||
| Yaad Na Aa | Qamar Shahpuria | F Major | 6 | 7B | 72 BPM | ||
| Din Ugta Hi Leu Sanwara Naam | Ratan Rao | F♯ Major | 10 | 2B | 75 BPM | ||
| Kaise Toke Moy Samjhabu | Pawan Roy | A Major | 6 | 11B | 118 BPM | ||
| Puju Sundha Mari Mavadi Re - Original | Chunnilal Rajpurohit | D Major | 8 | 10B | 86 BPM | ||
| Sube Uthiyo Manudo Gadi Chadiyo | Moti Khan | A♭ Major | 10 | 4B | 103 BPM | ||
| Matka Ke Bhandi | Sahin Chanchal Mewati | D♭ Major | 10 | 3B | 136 BPM | ||
| Ghoomar Ghalo Majisa Aaya | Amrit Rajasthani Harasar | B♭ Major | 9 | 6B | 90 BPM | ||
| Kathe Re Lagai Atari Der | Gokul Sharma | B♭ Major | 9 | 6B | 96 BPM | ||
| Udikan Karde | Rajwinder Singh | E♭ Minor | 6 | 2A | 144 BPM | ||
| Gulami 3.0 - Bhole Ka Mann Se Gulam Banega | Kishan Bhagat | B♭ Minor | 8 | 3A | 130 BPM | ||
| Bulawa Aawega Khatu Se Ek Bar | Sanjay Mittal | A♭ Minor | 8 | 1A | 136 BPM | ||
| Shyam Thane Kajaliyo Banalu | Bhagwat Suthar | C Minor | 10 | 5A | 150 BPM | ||
| Aab Ka Mannba Ae Rajaji Khatiya Ke Patti Todke | Khesari Lal Yadav, Indu Sonali, Mamta Rawat | F♯ Major | 9 | 2B | 101 BPM | ||
| Tu Hi Rab Tu Hi Dua (From "Dangerous Ishhq") | Rahat Fateh Ali Khan, Tulsi Kumar | B♭ Minor | 8 | 3A | 86 BPM |