Sanjeev Abhyankar's ' "Avade He Roop" was released on its scheduled release date, February 7, 2006. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 6 in the song's album "Tuka Mhane". In this album, this song's track order is #2. Furthermore, we believe that the track originated from France. Based on our statistics, Avade He Roop's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Avade He Roop by Sanjeev Abhyankar having a BPM of 130 with a half-time of 65 BPM and a double-time of 260 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Daryache Barobari | Santosh Nayak, Shaila Chikhale | E♭ Major | 5 | 5B | 80 BPM | ||
| Shree Ganaray Nartan Kari | Sachidanand Appa | E Major | 9 | 12B | 134 BPM | ||
| Mare Mandir Padharo Shrinathiji | Maya Deepak | A♭ Major | 5 | 4B | 170 BPM | ||
| Gnyadinda Shiva | Ramalingaiah Gowda | A Major | 6 | 11B | 106 BPM | ||
| Sundar Te Dhyan Ubhe | Bhagwan Lokare | E♭ Major | 4 | 5B | 83 BPM | ||
| Majhya Saicha Udo | Sachidanand Aappa | F♯ Major | 6 | 2B | 104 BPM | ||
| Jagi Vajel Lagnacha Chaughada | Madhuri Wilson | F♯ Major | 5 | 2B | 83 BPM | ||
| Nay Gonge Nay Gonge | Veena Bamne, Shrikant Narayan | B♭ Minor | 4 | 3A | 165 BPM | ||
| Mangalam Mangalam Anjaneya | Parupalli Ranganath, Ramana | F Major | 6 | 7B | 146 BPM | ||
| Modamodalu | Sri Ganapathy Sachchidananda Swamiji | C Major | 5 | 8B | 109 BPM | ||
| Aaje Saune Jay Shree Krishna | Dr. Dipali Bhatt, Sachin Limaye, Foram Maheta | F♯ Major | 1 | 2B | 82 BPM | ||
| Pandharisi Jaya Ekvel | Vishnubuva Wavanjekar | F♯ Minor | 8 | 11A | 93 BPM | ||
| Shruti Smruti Purananam - Aacharya Vandana | Jeevan Dharmadhikari, Sanjeev Abhyankar | F♯ Major | 3 | 2B | 100 BPM | ||
| મારા પુણ્ય તણો નહિ પાર | Sadhu Bhaktikirtandas | D Major | 5 | 10B | 145 BPM | ||
| Kavlya Pananchi Nagin | Shakuntala Jadhav | E♭ Minor | 3 | 2A | 214 BPM | ||
| Bhajo Kali Japo Kali | Madhab, Chandrani Mukherjee | F Major | 3 | 7B | 169 BPM | ||
| JAI JAI AARTI NITYANAND RAYA | Group Chant | D♭ Minor | 9 | 12A | 105 BPM | ||
| Vira - Rasa - Sanskara - Shloka | Sanjeev Abhyankar | D♭ Major | 3 | 3B | 116 BPM | ||
| Yei Yei Ba Guruwara | Sanjeev Abhyankar | F♯ Major | 5 | 2B | 102 BPM | ||
| Dhanya Dhanya Pandhuranga | Prahlad Shinde | F♯ Minor | 6 | 11A | 84 BPM | ||
| Bhakti Premavina Dnyan Nako Deva | Rekha Manvatkar, Abhang Bhaktigeet | D♭ Major | 6 | 3B | 132 BPM | ||
| Pandharit Maza | Prahlad Shinde | F Major | 6 | 7B | 86 BPM | ||
| RADHE RANI KI JAY MAHARANI | NITIN DEVKA-NIDHO DHOLKIA | A♭ Major | 5 | 4B | 88 BPM | ||
| Duttachi Aarti | Pradnya Annam | B♭ Major | 7 | 6B | 170 BPM | ||
| Rakhuma Majhi Perni Kari | Vishnubuva Wavanjekar | F♯ Minor | 7 | 11A | 126 BPM |