Parry Ray's 'All That Jazz' had a release date set for January 7, 2021. With this song being around four minutes long, at 3:40, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 10 in the song's album "Out Of The Shadows". In this album, this song's track order is #1. In terms of popularity, All That Jazz is currently unknown. Although the overall vibe is very danceable, it does project more negative sounds.
With All That Jazz by Parry Ray having a BPM of 113 with a half-time of 56 BPM and a double-time of 226 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song has a musical key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| You're Getting to Be a Habit with Me | Bria Skonberg, Stefon Harris, Aaron Diehl, Reginald Veal, Ali Jackson | B♭ Major | 2 | 6B | 72 BPM | ||
| Perfect | Parry Ray | A♭ Minor | 6 | 1A | 180 BPM | ||
| Annie's Song | Dara Tucker | C Major | 4 | 8B | 89 BPM | ||
| Winter Leaves | Greg Johnson | E Major | 2 | 12B | 180 BPM | ||
| For Me | Sandra Dawn | D♭ Minor | 3 | 12A | 127 BPM | ||
| Amber Waltz | ZChill Jazz | A♭ Major | 1 | 4B | 145 BPM | ||
| White Wedding | Parry Ray | F♯ Minor | 8 | 11A | 132 BPM | ||
| The Very Thought Of You | Marcell | F Minor | 2 | 4A | 99 BPM | ||
| I Love You and Love You More | Timeless Tone | B♭ Minor | 3 | 3A | 180 BPM | ||
| i am already yours | Whisper Darling | D Minor | 2 | 7A | 201 BPM | ||
| Send In The Clowns | Parry Ray | D♭ Major | 2 | 3B | 138 BPM | ||
| Fly Me to the Moon | Malene Mortensen | G Major | 1 | 9B | 73 BPM | ||
| Fly Again | Tom Petrone | F♯ Major | 3 | 2B | 74 BPM | ||
| Good Morning Good Day | Timeless Tone | G Minor | 2 | 6A | 116 BPM | ||
| Cobalt Moon Serenade | MEOW JAZZ | B♭ Minor | 3 | 3A | 180 BPM | ||
| Show Me | Hayley Sales | B♭ Minor | 3 | 3A | 180 BPM | ||
| Overjoyed | Anthony Strong | F Major | 3 | 7B | 91 BPM | ||
| Soft Sax Confession | MEOW JAZZ | B♭ Minor | 3 | 3A | 180 BPM | ||
| Lying Here With Me | Heather Rigdon | F Minor | 4 | 4A | 117 BPM | ||
| The Best Is Yet To Come | Parry Ray | A♭ Major | 4 | 4B | 110 BPM | ||
| Blue Silence (1940s Jazz) | ZChill Jazz | B♭ Minor | 1 | 3A | 172 BPM | ||
| Will You Still Love Me Tomorrow | Liane Carroll | G Minor | 2 | 6A | 181 BPM | ||
| Leo | Nancy Erickson Lamont, Josh Nelson, Michael Glynn | G Minor | 0 | 6A | 90 BPM | ||
| I Can't Help Falling In Love | Jheena Lodwick | D Major | 3 | 10B | 170 BPM | ||
| Beast in the Cage | Page-Thompson | D Minor | 2 | 7A | 94 BPM |