"バレエ音楽「春の祭典」第2部「いけにえ」 祖先の霊への呼びかけ" by コロンビア交響楽団 had its release date on February 8, 2022. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There is only one song in ストラヴィンスキー バレエ音楽「春の祭典」「ペトルーシュカ」, so we believe that "バレエ音楽「春の祭典」第2部「いけにえ」 祖先の霊への呼びかけ" is a single. バレエ音楽「春の祭典」第2部「いけにえ」 祖先の霊への呼びかけ is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of バレエ音楽「春の祭典」第2部「いけにえ」 祖先の霊への呼びかけ by コロンビア交響楽団 is Adagio (slowly with great expression), since this song has a tempo of 69 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mozart: Concerto for Flute and Harp in C Major, K. 299: I. Allegro, Pt. 6 | Emmanuel Pahud, Marie-Pierre Langlamet, Berliner Philharmoniker, Claudio Abbado | C Major | 4 | 8B | 103 BPM | ||
| バレエ音楽「春の祭典」第1部「大地への讃仰」 序曲 | コロンビア交響楽団 | C Major | 4 | 8B | 150 BPM | ||
| バレエ組曲「眠りの森の美女」 パ・ダクションーアダージョ | Berliner Philharmoniker, ニューフィルハーモニア管弦楽団 | B♭ Major | 2 | 6B | 113 BPM | ||
| Quintet in F Major for Bassett Horn and Strings, Op.9 / II.Adagio ma non troppo | Johann Georg Heinrich Backofen, Eybler Quartet, Jane Booth, Max Mandel | B♭ Major | 0 | 6B | 88 BPM | ||
| Keyboard Sonata in E Major, Wq. 65/29, H. 83: II. Andante | Carl Philipp Emanuel Bach, Christopher Hinterhuber | D♭ Major | 0 | 3B | 87 BPM | ||
| A Midsummer Night's Dream, Incidental Music, Op. 61, MWV M 13: VII. Notturno. Con moto tranquillo | Felix Mendelssohn, Orpheus Chamber Orchestra | E Major | 0 | 12B | 76 BPM | ||
| セレナード第13番ト長調「アイネ・クライネ・ナハト・ムジーク」K.525~第1楽章 | コロンビア交響楽団 | B Major | 4 | 1B | 110 BPM | ||
| Concerto for Cello and Orchestra No. 1 in A Minor, Op. 33: I. Allegro non troppo | Camille Saint-Saëns, Hee-young Lim | C Major | 1 | 8B | 116 BPM | ||
| Sextet in E-Flat Major, Op. 81b: II. Adagio | Ludwig van Beethoven, János Keveházi, Jeno Kevehazi, Ildiko Hegyi, Peter Popa, Gyözö Máthé, Péter Szabó | A♭ Major | 0 | 4B | 99 BPM | ||
| The Creatures of Prometheus, Op. 43: i. Overture: Adagio. Allegro molto con brio | Beethoven, Maurice Abravanel, Utah Symphony Orchestra | F Major | 2 | 7B | 113 BPM | ||
| Achmet und Zenide, Act II: Ouverture Capriccio | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | G Major | 0 | 9B | 123 BPM | ||
| バレエ音楽「火の鳥」(1910年全曲版)より 序曲 | コロンビア交響楽団 | C Major | 2 | 8B | 131 BPM | ||
| String Quartet in A Major: Minuetto | Quatuor Alcan | E Major | 0 | 12B | 150 BPM | ||
| Weber: Clarinet Concerto No. 1 in F Minor, Op. 73, J. 114: II. Adagio, ma non troppo | Carl Maria von Weber, Walter Boeykens, James Conlon, Rotterdams Philharmonisch Orkest | C Major | 0 | 8B | 95 BPM | ||
| Etude, Op. 18, No.3 G Major from Fünf Klavierstücke (Five Piano Pieces) - Duo-Art 0221 Br | Moritz Moszkowski, Arthur De Greef, Peter Phillips | B♭ Major | 1 | 6B | 107 BPM | ||
| Rossini: Sonate a quattro No. 3 in C Major: III. Moderato | Gioachino Rossini, Claudio Scimone, I Solisti Veneti | D Minor | 2 | 7A | 147 BPM | ||
| Symphony No. 3 in A Minor, Op. 56 "Scottish": II. Vivace non troppo | Felix Mendelssohn, Gewandhausorchester, Andris Nelsons | B♭ Major | 1 | 6B | 107 BPM | ||
| Sinfonia In G Major, Wq. 183/4, H. 666: I. Allegro Assai | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | F Major | 0 | 7B | 133 BPM | ||
| 歌劇「フィガロの結婚」序曲 | Marcello Rota, チェコ・ナショナル交響楽団 | D Major | 2 | 10B | 129 BPM | ||
| Douze Danses Allemandes - 5 Mib majeur | Beethoven | B♭ Major | 1 | 6B | 107 BPM | ||
| Symphony No. 5 in B-Flat Major, D. 485: III. Menuetto. Allegro molto | Franz Schubert, Maxim Emelyanychev, Scottish Chamber Orchestra | G Minor | 1 | 6A | 128 BPM | ||
| 交響曲第25番ト短調 第1楽章 | ブルーノ・ワルター, コロンビア交響楽団 | D Major | 1 | 10B | 130 BPM | ||
| Overture in G Major, Op. 8, No. 5: I. Allegro | Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon | B♭ Major | 1 | 6B | 136 BPM | ||
| Sextet in E-Flat Major, Op. 81b: I. Allegro con brio | Ludwig van Beethoven, János Keveházi, Jeno Kevehazi, Ildiko Hegyi, Peter Popa, Gyözö Máthé, Péter Szabó | E♭ Major | 0 | 5B | 131 BPM | ||
| Egmont, complete incidental music, Op. 84: ix. Melodrama: Poco sostenuto | Beethoven, Maurice Abravanel, Utah Symphony Orchestra, Netania Davrath, Walther Reyer | E Minor | 2 | 9A | 82 BPM |