Enigma Variations: Variation XIII. Romanza (***) - Moderato by Edward Elgar, Sir Colin Davis, London Symphony Orchestra Song Details

"Enigma Variations: Variation XIII. Romanza (***) - Moderato" by Edward Elgar, Sir Colin Davis, London Symphony Orchestra had its release date on June 5, 2007. The duration of This song is about 3 minutes long, at 3:13. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 14 out of 16 in Elgar: Enigma Variations, Introduction & Allegro by Edward Elgar, London Symphony Orchestra, Sir Colin Davis. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Enigma Variations: Variation XIII. Romanza (***) - Moderato is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

The tempo marking of Enigma Variations: Variation XIII. Romanza (***) - Moderato by Edward Elgar, Sir Colin Davis, London Symphony Orchestra is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.

Music Key

A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 12%
Loudness: -32.259 dB
Acousticness: 91%
Danceability: 7%
Energy: 0%
Instrumentalness: 50%
Liveness: 9%
Loudness: 46%
Speechiness: 5%
Valence: 8%

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