"Shadow Cavalry" by Arthur Sharpe had its release date on December 10, 2021. This song is about six minutes long, preciously at 6:05, making this song fairly long compared to other songs. The track order of this song in Arthur Sharpe's "Landscapers (Original Television Soundtrack)" album is number 19 out of 20. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Shadow Cavalry is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Shadow Cavalry by Arthur Sharpe to be Andante (at a walking pace) because the track has a tempo of 98 BPM, a half-time of 49BPM, and a double-time of 196 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Gilbert's Sorrow | Australian Chamber Orchestra | D Major | 2 | 10B | 92 BPM | ||
| Builder of Walls | Lauri Porra, Lahti Symphony Orchestra, Kristian Sallinen | C Major | 3 | 8B | 172 BPM | ||
| Tempérance | Andrea Farri | B Minor | 1 | 10A | 100 BPM | ||
| Traum (From "Phoenix") | Stefan Will | B Major | 1 | 1B | 99 BPM | ||
| Tunnel Hearing | Arthur Sharpe | D Minor | 0 | 7A | 123 BPM | ||
| Come Back Soon | Emilie Levienaise-Farrouch | F♯ Major | 0 | 2B | 135 BPM | ||
| Shift | Nereano | F Minor | 2 | 4A | 59 BPM | ||
| The Longship | Nick Batterham | B Minor | 2 | 10A | 140 BPM | ||
| Cassie | Anthony Willis | F Minor | 1 | 4A | 79 BPM | ||
| Calm Waters Within | Hocus Focus | C Major | 3 | 8B | 172 BPM | ||
| Pandora | Martin Madrazo, Martin Lamo | G Minor | 3 | 6A | 105 BPM | ||
| Jugarretas | Almas Paralelas | F♯ Minor | 2 | 11A | 76 BPM | ||
| Close Your Eyes, Relax Your Body | Owen Pallett | C Minor | 1 | 5A | 198 BPM | ||
| Mina | Dickon Hinchliffe | E Minor | 2 | 9A | 120 BPM | ||
| Rock Fight (Demo) | Emile Mosseri | D♭ Major | 1 | 3B | 114 BPM | ||
| The Great Work Begins (End Title) | Angels in America | F Major | 3 | 7B | 80 BPM | ||
| The Affair | Dickon Hinchliffe | G Minor | 2 | 6A | 139 BPM | ||
| Bonjour Le Desert | The Quiet Now | F Major | 0 | 7B | 189 BPM | ||
| My Blood Wants to Cry | Jóhann Jóhannsson, Jonas Colstrup | E Minor | 2 | 9A | 65 BPM | ||
| makeup | WOOK | B Major | 3 | 1B | 83 BPM | ||
| A Levity in Love | Arthur Sharpe | C Major | 3 | 8B | 138 BPM | ||
| Cornelia and Eli | Federico Jusid | F Minor | 0 | 4A | 81 BPM | ||
| Samira's Theme | Alexis Grapsas | C Major | 0 | 8B | 73 BPM | ||
| Puppet Love (From "Being John Malkovich") | Brussells Philharmonic, Dirk Brossé | E Minor | 2 | 9A | 138 BPM | ||
| Caught In A Weird Loop | Amie Doherty | B♭ Minor | 3 | 3A | 90 BPM |