"Records" by Jerry Goldsmith had its release date on 1997. With This song being less than two minutes long, at 1:57, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Jerry Goldsmith's "L.A. Confidential (Original Motion Picture Score / Deluxe Edition)" album is number 22 out of 39. On top of that, United States appears to be the country where this track was created. In terms of popularity, Records is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Records by Jerry Goldsmith to be Andante (at a walking pace) because the track has a tempo of 99 BPM, a half-time of 50BPM, and a double-time of 198 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Roots Run Deep | Kris Bowers | D Minor | 2 | 7A | 132 BPM | ||
| The Horn Of Dagoth - Conan The Destroyer/Soundtrack Version | Basil Poledouris | F♯ Major | 2 | 2B | 90 BPM | ||
| End Credits - Soundtrack Reissue (2002) | John Williams | G Major | 3 | 9B | 79 BPM | ||
| Trinity Infinity | Don Davis | E Minor | 4 | 9A | 132 BPM | ||
| March Of The Dead | Joseph Loduca | C Minor | 4 | 5A | 97 BPM | ||
| My Name Is Barbossa | Geoff Zanelli | F Major | 3 | 7B | 89 BPM | ||
| Estrategia | Armonias | C Major | 1 | 8B | 140 BPM | ||
| Terminator Arrival / Reese Chased / Sarah on Motorbike | Brad Fiedel | G Minor | 2 | 6A | 79 BPM | ||
| Atreju's Quest | Klaus Doldinger | A♭ Major | 3 | 4B | 48 BPM | ||
| Crystal Palace - Conan The Destroyer/Soundtrack Version | Basil Poledouris | D Minor | 3 | 7A | 72 BPM | ||
| Main Title | Münchner Symphoniker | F Major | 2 | 7B | 100 BPM | ||
| Mulan's Decision | Jerry Goldsmith, Disney | B♭ Minor | 3 | 3A | 87 BPM | ||
| Rocketeer to the Rescue/End Title - 1991 Soundtrack Album/2020 Remaster | James Horner | C Major | 2 | 8B | 95 BPM | ||
| Main Title & Opening Credits | Basil Poledouris | A Minor | 1 | 8A | 128 BPM | ||
| The Great Mouse Detective | Henry Mancini, Richard Hayman, Richard Hayman Symphony Orchestra | F Major | 1 | 7B | 122 BPM | ||
| The Departure | Michael Nyman | D Minor | 3 | 7A | 178 BPM | ||
| The End Titles | Angela Morley | C Major | 1 | 8B | 114 BPM | ||
| The Day We Fight Back | David Arnold, Nicholas Dodd | C Major | 1 | 8B | 131 BPM | ||
| Arrival At The Palace - Main Theme Title | George Fenton | D Minor | 2 | 7A | 97 BPM | ||
| Main Title | Jerry Goldsmith | A♭ Major | 0 | 4B | 120 BPM | ||
| Deep Jungle | Jerry Goldsmith | F Major | 2 | 7B | 105 BPM | ||
| Earth | Marc Streitenfeld, Ben Foster, Metro Voices, The Bach Choir, Apollo Voices | E Major | 1 | 12B | 87 BPM | ||
| Out Of Control / The Crash | Dennis McCarthy | C Major | 3 | 8B | 144 BPM | ||
| My Name Is Max | Junkie XL | A Minor | 1 | 8A | 75 BPM | ||
| Main Title (Captain Nemo's Theme) | Paul J. Smith | F Major | 3 | 7B | 129 BPM |