Rekha Rani's ' "Chhail Chhabili Sajni" was released on its scheduled release date, May 13, 1995. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 1 out of 9 in Chhail Chhabili Sajani by Rekha Rani. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Chhail Chhabili Sajni is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Chhail Chhabili Sajni by Rekha Rani is Andante (at a walking pace), since this song has a tempo of 91 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Billi Me Killi Lagake Hilaila Raja Ji | Awadhesh Premi | A♭ Minor | 8 | 1A | 168 BPM | ||
| Ohi Re Jagahiya | Ram Swaroop Faizabadi, Goldi Yadav | E Minor | 9 | 9A | 125 BPM | ||
| Saiya Sewa Kare | Pawan Singh, Shilpi Raj | F♯ Major | 8 | 2B | 105 BPM | ||
| Disco Nati | Thakur Raghubir Singh | B Minor | 10 | 10A | 113 BPM | ||
| Tani Fere Di Balam Ji Karbatiya | Indu Sonali | G Minor | 9 | 6A | 105 BPM | ||
| Aaye Ho Dada | Pawan Singh, Kalpana Patowary | A Minor | 8 | 8A | 156 BPM | ||
| Tarsila Dhori Dekhela | R.k Tiger | B Major | 10 | 1B | 138 BPM | ||
| Upar Ayisan Ta Niche Kayisan | Sakal Balamuwa | F Minor | 10 | 4A | 135 BPM | ||
| Mann Kare Silwat | Diwakar Dwivedi | A♭ Minor | 10 | 1A | 102 BPM | ||
| Kaise To Jogi Bhaiya Mere Hai Gayo Ji | Rekha Rani | A Minor | 10 | 8A | 123 BPM | ||
| Ja Saiyaan Nefikir Rahih | Rekha Rani, Barkha Rani | C Major | 6 | 8B | 77 BPM | ||
| Paihanab Shameej Salwar | Bijli Rani, Rekha Rani | A♭ Major | 7 | 4B | 91 BPM | ||
| Jogi Dar Jaa Ke Dekh La | Madan Anand, Rekha Rani | G Minor | 10 | 6A | 170 BPM | ||
| Titali Shahar Ke (From "Balma Bada Nadan 2") | Neelkamal Singh, Priyanka Singh | B Major | 8 | 1B | 98 BPM | ||
| De De Ik Laal | Madan Anand, Rekha Rani | B♭ Minor | 8 | 3A | 172 BPM | ||
| Dulha Banaib | Ankush Raja, Shilpi Raj | B♭ Minor | 8 | 3A | 105 BPM | ||
| Shun Meri Shilpa | Santosh Toshi, Birbal Musafir | A Major | 8 | 11B | 111 BPM | ||
| Aag Lagaibu Ka | Khesari Lal Yadav, Anupma Yadav | B Major | 9 | 1B | 125 BPM | ||
| Hote Pe Lali Aankh Me Kajra | Guddi Gilahari | D♭ Minor | 7 | 12A | 91 BPM | ||
| Gori Tor Chunari | Ritesh Pandey, Antra Singh Priyanka | D♭ Major | 10 | 3B | 150 BPM | ||
| Bhayi Ye Maha Part 2 | Rekha Rani | D♭ Major | 7 | 3B | 93 BPM | ||
| Rangdaar Balamua | Dinesh Lal Yadav | F♯ Minor | 10 | 11A | 100 BPM | ||
| Kanasige Koneyilla | Sudeep, Rekha Rani | A♭ Major | 5 | 4B | 121 BPM | ||
| Aawa Redi Se Redi | Rekha Rani | A♭ Major | 8 | 4B | 110 BPM | ||
| Bhog Laga Baba | Mukesh Pattiwala, Rekha Rani | D♭ Major | 3 | 3B | 167 BPM |