"Constantly Reminded - Live" by Ray Wilson, Stiltskin had its release date on September 9, 2011. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 16 in the song's album "She - Live". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Germany. Constantly Reminded - Live is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Constantly Reminded - Live by Ray Wilson, Stiltskin having a BPM of 72 with a half-time of 36 BPM and a double-time of 144 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Stay Human | Amarok | A♭ Major | 2 | 4B | 141 BPM | ||
| Self-Inflicted Wounds | Joe Bonamassa | F♯ Minor | 6 | 11A | 139 BPM | ||
| Time Goes On | Rick Miller | B Major | 2 | 1B | 124 BPM | ||
| In another life | Hartmann | D♭ Major | 8 | 3B | 98 BPM | ||
| How Did It Come to This? | Arena | D Minor | 5 | 7A | 75 BPM | ||
| Shallow Bay | IQ | B Minor | 7 | 10A | 124 BPM | ||
| Nothing I Can Do | Stan Webb With Chicken Shack | F♯ Minor | 3 | 11A | 78 BPM | ||
| Holding Back | Laurence Jones | D♭ Minor | 8 | 12A | 127 BPM | ||
| Broken | This Winter Machine | C Minor | 5 | 5A | 75 BPM | ||
| Conceiving You | Riverside | E Major | 8 | 12B | 164 BPM | ||
| Serenity | Arena | E Minor | 3 | 9A | 62 BPM | ||
| All The Tears That Shine | David Paich | C Major | 6 | 8B | 104 BPM | ||
| The Wheel | This Winter Machine | A Minor | 7 | 8A | 159 BPM | ||
| With the Eyes of a Child | Sylvan | B Minor | 2 | 10A | 99 BPM | ||
| Slow Train | Buck & Evans | E Minor | 8 | 9A | 96 BPM | ||
| Autumn | Black Paisley | D Minor | 8 | 7A | 132 BPM | ||
| The Last Journey | Huis | B Minor | 6 | 10A | 115 BPM | ||
| Marigold | Subsignal | B Minor | 7 | 10A | 125 BPM | ||
| Cliche | Fish | G Minor | 5 | 6A | 127 BPM | ||
| Heading for the Stars | Blind Ego | E♭ Minor | 8 | 2A | 83 BPM | ||
| The Day the Walls Came Down | Voodoo Circle | G Minor | 6 | 6A | 75 BPM | ||
| Isn't It Amazing | Hothouse Flowers | C Major | 6 | 8B | 94 BPM | ||
| Sounds That I Hear | Airbag | A Minor | 4 | 8A | 120 BPM | ||
| Railway Tracks | John Illsley | E Minor | 6 | 9A | 118 BPM | ||
| Take It Slow | Ray Wilson | A Minor | 4 | 8A | 82 BPM |