Chester ("Let tyrants shake their iron rod") by William Billings, Paul Hillier, His Majestie's Clerkes Song Details

William Billings, Paul Hillier, His Majestie's Clerkes's 'Chester ("Let tyrants shake their iron rod")' had a release date set for April 1, 1996. The duration of This song is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. Chester ("Let tyrants shake their iron rod")'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 10 out of 23 in Early American Choral Music, Vol. 2: Anglo-American Psalmody 1550-1800 by Paul Hillier, His Majestie's Clerkes. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Chester ("Let tyrants shake their iron rod") is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

The tempo marking of Chester ("Let tyrants shake their iron rod") by William Billings, Paul Hillier, His Majestie's Clerkes is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Music Key

The music key of this track is C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 12%
Loudness: -20.385 dB
Acousticness: 99%
Danceability: 29%
Energy: 14%
Instrumentalness: 0%
Liveness: 16%
Loudness: 66%
Speechiness: 3%
Valence: 26%

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