Carol Kidd's ' "Little White Lies" was released on its scheduled release date, 1999. The duration of This song is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Little White Lies's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "That's Me". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Little White Lies is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Little White Lies by Carol Kidd having a BPM of 106 with a half-time of 53 BPM and a double-time of 212 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
F Minor is the music key of this track. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| All That Shines | Timeless Tone | D Minor | 2 | 7A | 123 BPM | ||
| Don't Fence Me In - (Live) | Carol Kidd, Brian Kellock | B♭ Major | 1 | 6B | 76 BPM | ||
| 夜色低语 | LovesYouJesus | B♭ Major | 3 | 6B | 152 BPM | ||
| Satin Doll | Carol Sloane, Roland Hanna, George Mraz, Richie Pratt | C Major | 2 | 8B | 136 BPM | ||
| Don't Ask Why | Dena DeRose | C Major | 1 | 8B | 77 BPM | ||
| Vincent | Sara K. | A♭ Major | 0 | 4B | 100 BPM | ||
| Stolen Matches | After Hours Swing | G Major | 2 | 9B | 178 BPM | ||
| The Very Thought of You | Nnenna Freelon | E♭ Major | 1 | 5B | 91 BPM | ||
| 阿彌陀佛聖號 (輕柔爵士) Namo Amitabha | Zen Brew Cafe 禪釀咖啡館 | F Major | 3 | 7B | 150 BPM | ||
| She smiles beneath a silver light | Intimate Vibes | G Minor | 2 | 6A | 126 BPM | ||
| Café Noir Confessions | WENDO KEN | D Major | 3 | 10B | 105 BPM | ||
| Candle and Snow | Timeless Tone | C Major | 1 | 8B | 67 BPM | ||
| The Taste of Morning | Timeless Tone | C Major | 2 | 8B | 112 BPM | ||
| Could This Be the Night | Suzanna Ross | F♯ Minor | 1 | 11A | 124 BPM | ||
| Two Souls, One Song | Zuzana Bing | C Major | 3 | 8B | 130 BPM | ||
| It's Over Now | Judy Niemack, Kenny Barron | A Minor | 2 | 8A | 99 BPM | ||
| You're Getting to Be a Habit with Me | Bria Skonberg, Stefon Harris, Aaron Diehl, Reginald Veal, Ali Jackson | B♭ Major | 2 | 6B | 72 BPM | ||
| Que Sera Sera (Whatever Will Be Will Be) | Bria Skonberg | A♭ Major | 2 | 4B | 111 BPM | ||
| Close to You | Hailey Tuck | G Major | 3 | 9B | 108 BPM | ||
| Dat Dere | Carol Kidd | D Major | 1 | 10B | 80 BPM | ||
| Missing you | Intimate Vibes | G Minor | 1 | 6A | 76 BPM | ||
| I Might Nap | Mira Rae | C Major | 1 | 8B | 76 BPM | ||
| I'm In Love With You | Pamela Levy | E Minor | 5 | 9A | 106 BPM | ||
| Ten Cents a Dance | Choll | A♭ Major | 1 | 4B | 68 BPM | ||
| The Samba Calls | Soesja Citroen, Berend van den Berg, Ruud Ouwehand | D Minor | 2 | 7A | 93 BPM |