Chris Woods's ' "Modus Operandi" was released on its scheduled release date, January 1, 1999. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Chris Woods's "Modus Operandi" album is number 1 out of 8. On top of that, United States appears to be the country where this track was created. In terms of popularity, Modus Operandi is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Modus Operandi by Chris Woods to be Andante (at a walking pace) because the track has a tempo of 97 BPM, a half-time of 48BPM, and a double-time of 194 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Too Young To Go Steady | Sherman Ferguson, Pharoah Sanders, Charles Fambrough, William Henderson | C Major | 1 | 8B | 123 BPM | ||
| I May Be Wrong | Butch Miles, Al Klink, Chris Woods, Glenn Zottola, John Bunch, Linc Milliman | F Minor | 3 | 4A | 137 BPM | ||
| Blurred Outlines | Niko de Oro | A Major | 6 | 11B | 99 BPM | ||
| Camellia Coffeehouse | Linear Swing Jazz Club | B♭ Minor | 2 | 3A | 117 BPM | ||
| BRIGHT | Noé Huchard | F Minor | 2 | 4A | 87 BPM | ||
| A Lick of My Raspberry Mivvi | Kevin Sargent | B♭ Minor | 3 | 3A | 204 BPM | ||
| Compliments of the Evening | Bronze Oracle | F♯ Major | 2 | 2B | 72 BPM | ||
| Airport | TransferX | D♭ Minor | 2 | 12A | 130 BPM | ||
| Flatted 5th | Ted Curson, Chris Woods, Jacky Samson, Charles Saudrais, Georges Arvanitas | D Minor | 5 | 7A | 173 BPM | ||
| Humming Bird (Remastered 1985) | Paul Gonsalves | C Major | 3 | 8B | 145 BPM | ||
| Monsieur Lesbois in Paris | Chris Woods, Georges Arvanitas Trio, Charles Saudrais, Jacky Samson | F Major | 5 | 7B | 76 BPM | ||
| Rainy Mornin' Blues | Junior Mance | E♭ Major | 1 | 5B | 76 BPM | ||
| Lament of the Sands | Orión Natera | D♭ Major | 3 | 3B | 175 BPM | ||
| Nothing But Time | Sherbourne Rivers | C Major | 1 | 8B | 97 BPM | ||
| Rising Sun | Soulmate Jazz Trio | F Minor | 2 | 4A | 143 BPM | ||
| Fallen Reign | Orión Natera | F Minor | 2 | 4A | 107 BPM | ||
| Soft Shoes on Wood | Milo Crescent | F Minor | 2 | 4A | 143 BPM | ||
| Summoners Kings | Salma Del Sol | B Major | 3 | 1B | 183 BPM | ||
| Morning with You | Jazzy Heart Harmony | F Minor | 3 | 4A | 166 BPM | ||
| Flattering Masterpiece | George Felington | F Minor | 2 | 4A | 143 BPM | ||
| You Leave Me Breathless | Nat Adderley, The Big Sax Section | F Minor | 3 | 4A | 132 BPM | ||
| The Innovator | Niko de Oro | D♭ Major | 3 | 3B | 143 BPM | ||
| Only you | scoth | F Minor | 2 | 4A | 143 BPM | ||
| Phoenix | SwisUp | F Minor | 2 | 4A | 143 BPM | ||
| A Window to Nowhere | León Areíto | D Minor | 7 | 7A | 193 BPM |