Tapsiram Rathod's ' "Ram Lachmanairi Aarti (Aarti)" was released on its scheduled release date, January 1, 1999. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 7 out of 8 in Banjara Bhakti Bhajan, Pt. 1 by Tapsiram Rathod. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Ram Lachmanairi Aarti (Aarti) is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Ram Lachmanairi Aarti (Aarti) by Tapsiram Rathod is Andante (at a walking pace), since this song has a tempo of 88 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mari Ladi Ban ja Janu | Jays Bhide | D♭ Major | 9 | 3B | 141 BPM | ||
| Talja Mataro Darsan Le Lo Re | Tapsiram Rathod | B Major | 9 | 1B | 114 BPM | ||
| Mor Bari Ma | Dilip Lahariya | E♭ Major | 9 | 5B | 142 BPM | ||
| Chet Re Nar Chet | Bhawani Sk | G Major | 6 | 9B | 152 BPM | ||
| Kaha Jabe Lakar Dhakar | Premanand Chauhan, Teejan Patel | D Minor | 8 | 7A | 136 BPM | ||
| Chikanj Tahen Gate | GUHIRAM MURMU, Sarathi Hembram | F Minor | 8 | 4A | 125 BPM | ||
| Tor Bina Lage Nahi Manwa | Satish Das | A♭ Major | 10 | 4B | 150 BPM | ||
| Nak Ke Nathani | Dilip Lahariya | E♭ Major | 9 | 5B | 142 BPM | ||
| Tera Mera Pyar Amar | Haniya Rehman, Rahi Khan | A Minor | 4 | 8A | 152 BPM | ||
| Sasra Mewati | Sahin Khan Mewati | B♭ Minor | 10 | 3A | 89 BPM | ||
| Mera Nath Yo Chimte aala | Sandeep Samalpuriya | F Minor | 10 | 4A | 136 BPM | ||
| Chandna Hoya Gat Me Khake Bhbhuti Teri | Parveen Chawariya | C Major | 9 | 8B | 126 BPM | ||
| Manjodori Ge | Satish Das | C Major | 7 | 8B | 105 BPM | ||
| Patli Kamar | Mongra Vishwakarma | F♯ Minor | 9 | 11A | 170 BPM | ||
| Jhula Jhulthe Amali Ke Dar Ma | Prem Anand Chauhan, Mahi Navrange | F♯ Major | 8 | 2B | 160 BPM | ||
| Jara dekh akhai fhaad tanei | Tapsiram Rathod, Tukaram Rathod, Subhash Rathod, Paul Singh Rathod, Nandu Rathod, Vyankant Rathod, Damji Rathod, Kamla Rathod | A Major | 8 | 11B | 72 BPM | ||
| Jharkhandi Rangdar | Kishan Indrjeet, Shivanand, Anjel | A♭ Minor | 9 | 1A | 145 BPM | ||
| A Goriya Hum Tumse Pyar Karega | Devdas, Sarita Devi | D♭ Major | 7 | 3B | 151 BPM | ||
| Hay Re Mor Rani | Shiv Kumar Tiwari | E Major | 7 | 12B | 77 BPM | ||
| Mere Girdhar Tu Hi Sahara Hai | Sejal Keshari | E♭ Minor | 7 | 2A | 135 BPM | ||
| Kanchan Kachnar Gori | Sanjay Surila | G Major | 8 | 9B | 120 BPM | ||
| Shivji Parnva Aaviya Jai Bolo Marwadi Bhajan | Sant Gajaram | B Minor | 9 | 10A | 112 BPM | ||
| Hal e Dil Kisko Sunayen | Sahil Raza Qadri | D♭ Minor | 5 | 12A | 80 BPM | ||
| Mai Soche Rahev Tola Karihao Sadi Vo | Aniket Dhurwey, Sunita Patil | F Minor | 9 | 4A | 81 BPM | ||
| Eiradho Kae Taro | Tapsiram Rathod, Kamla Rathod | B Major | 7 | 1B | 85 BPM |