Mafalda Arnauth's ' "Porque as marés são mais calmas" was released on its scheduled release date, September 27, 1999. The duration of This song is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Porque as marés são mais calmas's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Mafalda Arnauth's "Mafalda Arnauth" album is number 10 out of 11. In terms of popularity, Porque as marés são mais calmas is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Porque as marés são mais calmas by Mafalda Arnauth to be Andante (at a walking pace) because the track has a tempo of 93 BPM, a half-time of 46BPM, and a double-time of 186 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| A última tourada real de Salvaterra | Rodrigo | E Major | 5 | 12B | 126 BPM | ||
| A Cidade | Teresa Salgueiro | E Minor | 4 | 9A | 128 BPM | ||
| M.F. | Aldina Duarte | C Minor | 2 | 5A | 71 BPM | ||
| Canção do Desterro | Cristina Branco | F Minor | 4 | 4A | 115 BPM | ||
| Bairros de Lisboa | Alfredo Marceneiro | D Minor | 1 | 7A | 118 BPM | ||
| Os lugares por onde andámos | João Ferreira Rosa | A Major | 4 | 11B | 86 BPM | ||
| A Dança | Pedro Moutinho | C Major | 3 | 8B | 100 BPM | ||
| Balada da Despedida do Quinto Ano Jurídico 1988/1989 | Fado Ao Centro, João Farinha, Rui Lucas | G Major | 3 | 9B | 65 BPM | ||
| Mulher de Lisboa | Fernando Mauricio | B Major | 2 | 1B | 149 BPM | ||
| O Namorico da Rita | Katia Guerreiro | E Major | 3 | 12B | 102 BPM | ||
| Um Carnaval | Pedro Moutinho | F♯ Major | 4 | 2B | 141 BPM | ||
| O Fado de Ser Fadista | Joana Amendoeira | C Minor | 1 | 5A | 95 BPM | ||
| Quentes e Boas | António Mello Corrêa | B♭ Major | 3 | 6B | 122 BPM | ||
| Fadinho Alentejano | Ricardo Ribeiro | E Major | 4 | 12B | 108 BPM | ||
| Saudade, Silêncio E Sombra | Teresa Tarouca | D Minor | 2 | 7A | 111 BPM | ||
| Pode Ser Saudade | Jorge Fernando | B Major | 3 | 1B | 132 BPM | ||
| Escrevo o Teu Nome | Marino de Freitas, Linda Leonardo | D♭ Minor | 4 | 12A | 93 BPM | ||
| Meu Bergantim | Teresa Tarouca | D♭ Major | 2 | 3B | 173 BPM | ||
| Trova escondida | Mafalda Arnauth | E Minor | 3 | 9A | 102 BPM | ||
| Malmequer Pequenino | Frei Hermano Da Câmara | G Major | 2 | 9B | 137 BPM | ||
| Fado do Chiado | Maria Da Fé | A Major | 6 | 11B | 99 BPM | ||
| Quem Sabe Um Dia | Buba Espinho | F♯ Minor | 4 | 11A | 110 BPM | ||
| A sós com a noite | Jorge Fernando | D Major | 3 | 10B | 170 BPM | ||
| Ai Jesus | Maria Da Fé | A Major | 6 | 11B | 201 BPM | ||
| Audácia | Mafalda Arnauth | F Major | 5 | 7B | 190 BPM |