"Someday My Prince Will Come - Cello-Piano Version" by Raphaela Gromes, Julian Riem had its release date on January 26, 2024. With This song being less than two minutes long, at 1:14, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 3 out of 9 in Animated Movie Classics by Raphaela Gromes, Julian Riem. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Someday My Prince Will Come - Cello-Piano Version is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Someday My Prince Will Come - Cello-Piano Version by Raphaela Gromes, Julian Riem is Andante (at a walking pace), since this song has a tempo of 93 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 5/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bianca e Falliero: Tu non sai qual colpo atroce (Arr. for Cello and Orchestra) | Gioachino Rossini, Raphaela Gromes, Enrico Delamboye | F Minor | 1 | 4A | 73 BPM | ||
| Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
| Cello Concerto Op. 10: II. Etwas ruhiger | Maria Herz, Raphaela Gromes, Deutsches Symphonie-Orchester Berlin, Anna Rakitina | F♯ Major | 1 | 2B | 84 BPM | ||
| Quella linea sottile | Paolo Buonvino | G Minor | 3 | 6A | 68 BPM | ||
| Souvenir d'un lieu cher, Op. 42, TH 116 (Arr. for Violin & Orchestra by Alexander Glazunov): No. 3, Mélodie | Pyotr Ilyich Tchaikovsky, Natalia Lomeiko, The Russian State Philharmonic, Valery Polyansky | E Minor | 0 | 9A | 82 BPM | ||
| Lift Me Up (from "Black Panther: Wakanda Forever") - Cello-Piano Version | Raphaela Gromes, Julian Riem | A Major | 2 | 11B | 87 BPM | ||
| Märchen für Violoncello und Klavier, Op. 8 | Paul Juon, Raphaela Gromes, Julian Riem | A Minor | 1 | 8A | 75 BPM | ||
| The Renaissance Suite: III. BARRIERA in Gossamer Yellow | Julie Cooper, Eliza Marshall, Camilla Pay, Oculus Ensemble, Jessica Cottis | E Minor | 2 | 9A | 128 BPM | ||
| Irene's Song (from "Forsyte Saga") | Geoffrey Burgon, Dave Loew | E Minor | 2 | 9A | 160 BPM | ||
| Schlichte Weisen, Op. 21, TrV 160: III. Ach Lieb, ich muss nun scheiden (Arr. for Cello and Piano by Julian Riem) | Richard Strauss, Raphaela Gromes, Julian Riem | F Minor | 0 | 4A | 67 BPM | ||
| Im Bheto VN | Bheto VN | C Minor | 3 | 5A | 140 BPM | ||
| Elle & lui - Ouverture | Thomas Enhco | D Major | 2 | 10B | 127 BPM | ||
| Rosa Mundi | Paul Lewis, Royal Ballet Sinfonia, Gavin Sutherland | E Major | 0 | 12B | 81 BPM | ||
| Songs My Mother Taught Me, Op. 55, No. 4 (Arr. for Violin and Orchestra) | Antonín Dvořák, Joshua Bell, Michael Stern, Craig Ogden, Academy of St. Martin in the Fields | D Major | 2 | 10B | 102 BPM | ||
| Violin Partita No. 3 in E Major, BWV 1006: VII. Gigue (Arr. C. Adomeit) | Caroline Adomeit, Julian Riem | E Minor | 3 | 9A | 80 BPM | ||
| Canção Seresta | Claudio Dauelsberg, Carla Corsino | F Major | 0 | 7B | 124 BPM | ||
| Aftermath | Raphael Fimm | E Major | 2 | 12B | 152 BPM | ||
| Manhã de carnaval | Luiz Bonfá, Nemanja Radulović, Aleksandar Sedlar, Double Sens | A Minor | 1 | 8A | 88 BPM | ||
| Prelude to a Dream | Sebastián Van Ley | F Minor | 2 | 4A | 137 BPM | ||
| I'll Always Go Back To That Church | Academy of St. Martin in the Fields, Gabriel Yared | D Major | 2 | 10B | 133 BPM | ||
| Meditation for Trio (from "Thaïs") | The O'Neill Brothers Group | B♭ Major | 1 | 6B | 102 BPM | ||
| Beautiful! | Cellist Yesle | D Major | 1 | 10B | 129 BPM | ||
| The Lavender Years | Jim Chappell | E Minor | 1 | 9A | 69 BPM | ||
| Wings of Hope | Celtroya | F Major | 2 | 7B | 61 BPM | ||
| Cello Sonata in F-Sharp Minor, Op. 52: II. Scherzo. Allegro molto - Trio. Allegretto | Giuseppe Martucci, Raphaela Gromes | E Major | 1 | 12B | 79 BPM |