Carl Millöcker, Einar Beyron, Caprice, Gothenburg Stora Teatern Orchestra, Nils Grevillius's ' "Der Bettelstudent (Excerpts): Det täcka könet [Live]" was released on its scheduled release date, October 16, 2020. The duration of This song is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Der Bettelstudent (Excerpts): Det täcka könet [Live]'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 75 in the song's album "Operans motiga väg till Storan: Göteborgs Lyriska Teater 100 år". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Sweden. Based on our statistics, Der Bettelstudent (Excerpts): Det täcka könet [Live]'s popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Der Bettelstudent (Excerpts): Det täcka könet [Live] by Carl Millöcker, Einar Beyron, Caprice, Gothenburg Stora Teatern Orchestra, Nils Grevillius having a BPM of 128 with a half-time of 64 BPM and a double-time of 256 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| H.M.S. Pinafore: Overture | Arthur Sullivan, Sir Charles Mackerras, Welsh National Opera Orchestra | C Major | 1 | 8B | 100 BPM | ||
| Melitta (Polka mazurka) | Carl Millöcker, Nürnberger Philharmoniker, Christian Simonis | C Major | 0 | 8B | 110 BPM | ||
| The Merry Widow (Die lustige Witwe) / Act 2: Valse moderato | Franz Lehár, Berliner Philharmoniker, Herbert von Karajan | C Major | 1 | 8B | 98 BPM | ||
| Ballet Suite No. 3 (arr. L. Atovmyan): Waltz (The Human Comedy) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | A Major | 2 | 11B | 98 BPM | ||
| Castaldo | Rudolf Novacek, Tschechische Philharmonie, Václav Neumann | B Minor | 5 | 10A | 124 BPM | ||
| Chabrier: Le roi malgré lui, Act 2: Fête polonaise | Emmanuel Chabrier, Michel Plasson, Orchestre Du Capitole De Toulouse | F Major | 1 | 7B | 61 BPM | ||
| Im weißen Rössl am Wolfgangsee | Ralph Benatzky, Rudolf Schock, Ingeborg Hallstein, Johannes Fehring | G Major | 4 | 9B | 79 BPM | ||
| Chris and the Wonderful Lamp: Jack Tar | John Philip Sousa | F♯ Major | 2 | 2B | 114 BPM | ||
| I Capuleti e i Montecchi: Eccomi in lieta vesta: Sinfonia - Live | Vincenzo Bellini, Wiener Symphoniker, Fabio Luisi | D Major | 2 | 10B | 72 BPM | ||
| Mattinata (Frühlingserwachen) | Rudolf Schock | B Major | 2 | 1B | 60 BPM | ||
| La Fille Mal Gardée | Ferdinand Hérold, John Lanchberry, Orchestra of the Royal Opera House & Covent Garden | D Major | 1 | 10B | 91 BPM | ||
| Einzugsmarsch aus Der Zigeunerbaron | Menskes Chöre | B♭ Major | 6 | 6B | 113 BPM | ||
| Auf der Jagd (Polka) (Liveaufnahme) | Johann Strauss Orchester | A Major | 7 | 11B | 168 BPM | ||
| Wien bleibt Wien, Marsch | Johann Schrammel, Budapest Strauss Ensemble, Istvan Bogar | D Major | 4 | 10B | 122 BPM | ||
| Cyprienne (Polka schnell) | Carl Millöcker, Nürnberger Philharmoniker, Christian Simonis | C Major | 2 | 8B | 136 BPM | ||
| Transylvanian March and Embassy Waltz from 'My Fair Lady': Transylvanian March and Embassy Waltz from 'My Fair Lady' | Frederick Loewe, John Wilson, Sinfonia Of London | E Major | 1 | 12B | 68 BPM | ||
| 21 Hungarian Dances, WoO 1: No. 1 in G Minor | Johannes Brahms, Swedish Chamber Orchestra, Thomas Dausgaard | G Minor | 2 | 6A | 144 BPM | ||
| Walzer, Op.138, "Schlittschuhlaufer" | Émile Waldteufel, Schwanen Salon Orchestra, Georg Huber | A Major | 1 | 11B | 88 BPM | ||
| Ohne Bremse, Op. 238: Ohne Bremse, Polka schnell, Op. 238 | Eduard Strauss, Slovak State Philharmonic Orchestra, Mika Eichenholz | D Major | 4 | 10B | 145 BPM | ||
| Czardas from 'Coppelia' | London Philharmonic Orchestra | D Major | 3 | 10B | 141 BPM | ||
| Wiener Blut (operetta): Stoß an! | Johann Strauss II, Rita Bartos, Sandor Konya, Herta Talmar, Willy Hofmann, Peter Alexander, Chor, Franz Marszalek, Kölner Rundfunkorchester | E♭ Major | 4 | 5B | 175 BPM | ||
| Az intezett veszedelem vagy Hazy szeretete (Threatening Danger or Love of the Fatherland): VI. Az el menes [Marching off] | Antal Gyorgy Csermak, Budapest Strings, Karoly Botvay | D Major | 1 | 10B | 149 BPM | ||
| Don Carlos, Act I: Dio, che nell'alma infondere | Giuseppe Verdi, José Carreras, Piero Cappuccilli, Luigi Roni, Vienna State Opera Chorus, Orchester der Wiener Staatsoper, Herbert von Karajan | C Major | 4 | 8B | 145 BPM | ||
| Weber: Der Freischütz, Op. 77, J. 277, Act 1: Böhmischer Walzer | Carl Maria von Weber, Joseph Keilberth, Berliner Philharmoniker | G Major | 5 | 9B | 119 BPM | ||
| Champagner Galopp | Hans Christian Lumbye, Wiener Salonorchester | A Major | 3 | 11B | 108 BPM |