Proserpine: Overture in D Major: II. Andante by Giovanni Paisiello, Collegium Philarmonicum Chamber Orchestra, Gennaro Cappabianca Song Details

"Proserpine: Overture in D Major: II. Andante" by Giovanni Paisiello, Collegium Philarmonicum Chamber Orchestra, Gennaro Cappabianca had its release date on July 1, 2004. With This song being less than two minutes long, at 1:44, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 10 in the song's album "Paisiello: Piano Concertos Nos. 2 and 4 / Proserpine Overture". In this album, this song's track order is #6. Proserpine: Overture in D Major: II. Andante is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With Proserpine: Overture in D Major: II. Andante by Giovanni Paisiello, Collegium Philarmonicum Chamber Orchestra, Gennaro Cappabianca having a BPM of 73 with a half-time of 36 BPM and a double-time of 146 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.

Music Key

This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 6%
Loudness: -18.32 dB
Acousticness: 95%
Danceability: 38%
Energy: 4%
Instrumentalness: 11%
Liveness: 15%
Loudness: 69%
Speechiness: 4%
Valence: 14%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Adagio from Violin Sonata in G Minor, Op. 5 No. 5 (Arr. Leopold Stokowski)	Arcangelo Corelli, Matthias Bamert, BBC Philharmonic	G Minor	0	6A	175 BPM
Symphony No. 85 in B-Flat Major, Hob.I:85, "La reine" (The Queen): II. Romanza	Joseph Haydn, Capella Istropolitana, Barry Wordsworth	E♭ Major	0	5B	116 BPM
6 Flute Quartets. Op. 23, No. 4: I. Allegro moderato	Giovanni Paisiello, Siro Cavalet, Dino Scalabrin, Daniele Pagella, Carlo Bertola	G Major	1	9B	141 BPM
Christ lag in Todes Banden, BWV 4: Christ lag in Todesbanden, BWV 4: Jesus Christus Gottes Sohn (Arr. L. Stokowski)	Johann Sebastian Bach, Bournemouth Symphony Orchestra, José Serebrier	E Minor	2	9A	106 BPM
Sunrise Chant	Nuit	D Major	1	10B	146 BPM
Harp Concerto in A major: 1. Allegro molto	Carl Ditters von Dittersdorf, Marisa Robles, Academy of St. Martin in the Fields, Iona Brown	A Major	1	11B	122 BPM
Symphony in D Major, Op. 3, No. 1, W. C1: I. Allegro con spirito	Johann Christian Bach, Camerata De Budapest, Hanspeter Gmür	A Major	1	11B	141 BPM
Oboe Concerto in D Minor, Op. 9, No. 2: II. Adagio	Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis	B♭ Major	1	6B	75 BPM
Sinfonia In B Flat Major: III. Allegro	Francois-Joseph Gossec, Northern Chamber Orchestra	B♭ Major	1	6B	127 BPM
Bassoon Concerto in E minor, RV 484: 2. Andante	Antonio Vivaldi, Klaus Thunemann, Shizuko Noiri, I Musici	E Minor	5	9A	125 BPM
Grand Concerto for Bassoon and Orchestra in F: 3. Rondo (Vivace)	Johann Nepomuk Hummel, Klaus Thunemann, Academy of St. Martin in the Fields, Sir Neville Marriner	F Major	1	7B	120 BPM
Symphony in A Major: III. Presto	Johann Stamitz, New Zealand Chamber Orchestra, Donald Armstrong	A Major	3	11B	133 BPM
Concerto in C Minor: III. Siciliana	Domenico Cimarosa, John Anderson, Simon Wright, Philharmonia Orchestra	A Minor	1	8A	77 BPM
Polonaise in B-Flat Major, D. 580	Franz Schubert, Ariadne Daskalakis, Kölner Akademie, Michael Alexander Willens	B♭ Major	1	6B	96 BPM
Grand Concerto for Bassoon and Orchestra in F: 2. Romanza (Andantino e cantabile)	Johann Nepomuk Hummel, Klaus Thunemann, Academy of St. Martin in the Fields, Sir Neville Marriner	B♭ Major	0	6B	84 BPM
Symphony in D Major, F. 29: III. Prestissimo	Josef Mysliveček, Matthias Bamert, London Mozart Players	F Major	0	7B	78 BPM
Symphony No. 45 in F-Sharp Minor, Hob.I:45 "Farewell": - Adagio	Joseph Haydn, Orpheus Chamber Orchestra	A Major	0	11B	167 BPM
Symphony in C Major, J-C 4: II. Andante e affettuoso	Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon	F♯ Major	1	2B	137 BPM
Il duello comico: Overture	Giovanni Paisiello, Orchestra della Svizzera Italiana, Enrique Mazzola	C Major	7	8B	112 BPM
Piano Concerto No. 5 in D Major: II. Largo	Giovanni Paisiello, Francesco Nicolosi, Campania Chamber Orchestra, Luigi Piovano	D Minor	0	7A	105 BPM
Overture in D Major, Op. 8, No. 4: II. Un poco andante	Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon	G Major	0	9B	165 BPM
Angiolina, ossia Il matrimonio per sussuro Overture	Antonio Salieri, Matthias Bamert, London Mozart Players	D Major	2	10B	104 BPM
Symphony in D Major, Bryan D2: I. Allegro	Johann Baptist Vanhal, Toronto Chamber Orchestra, Kevin Mallon	D Major	1	10B	146 BPM
Concerto a cinque No. 2, Op. 9: II. Adagio	Tomaso Albinoni, Paul Dombrecht, Il Fondamento	A Major	1	11B	45 BPM
Symphony in E-Flat Major, Op. 3, No. 3, W. C3: III. Allegro	Johann Christian Bach, Camerata De Budapest, Hanspeter Gmür	E♭ Major	1	5B	106 BPM