Ravi Shankar's 'Parmeshwari - Ptravi Shankar' had a release date set for October 31, 2014. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 44 in the song's album "Ravi Shankar". In this album, this song's track order is #1. Furthermore, we believe that the track originated from India. Based on our statistics, Parmeshwari - Ptravi Shankar's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Parmeshwari - Ptravi Shankar by Ravi Shankar having a BPM of 123 with a half-time of 62 BPM and a double-time of 246 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Pingala | Karnamrita Dasi | E♭ Major | 5 | 5B | 150 BPM | ||
| Raghupati | Ananda Shankar | F♯ Major | 7 | 2B | 114 BPM | ||
| Madālasā | Gaiea Sanskrit | E Minor | 2 | 9A | 136 BPM | ||
| Bundar Nari | Ustad Noor Bakhsh | C Major | 5 | 8B | 117 BPM | ||
| Lost Innocence | Bickram Ghosh | F♯ Major | 4 | 2B | 135 BPM | ||
| Shiva's Meditation | Chinmaya Dunster | D♭ Minor | 0 | 12A | 78 BPM | ||
| Charu Theme - Instrumental | Satyajit Ray | A♭ Major | 1 | 4B | 148 BPM | ||
| Alhaiya in France | Niladri Kumar | A♭ Major | 4 | 4B | 75 BPM | ||
| Prabhati | Ravi Shankar | C Major | 3 | 8B | 171 BPM | ||
| Bindi | Mukta | G Major | 6 | 9B | 124 BPM | ||
| Ektaal | Zakir Hussain | F♯ Major | 9 | 2B | 133 BPM | ||
| Tanpura in D# (Kaali Do) | East West Beats | N/A | N/A | N/A | 0 BPM | ||
| Kaliyugavaradana | U. Srinivas | C Minor | 5 | 5A | 84 BPM | ||
| Oceanic Part 1 | Anoushka Shankar, Karsh Kale, Ravi Shankar | D♭ Major | 1 | 3B | 108 BPM | ||
| Asavari | Hariprasad Chaurasia | A Minor | 1 | 8A | 93 BPM | ||
| Raga Pilu - Taal Dadra | Shahid Parvez, Faiyaz Hussain Khan | D♭ Major | 3 | 3B | 94 BPM | ||
| Vaisnava Bhajan | Vishwa Mohan Bhatt, Sukhvinder Singh Namdhari | D Major | 2 | 10B | 147 BPM | ||
| Jai Hanuman! (feat. Nyoman Wenten & Burat Wangi Choir) | L. Subramaniam | B♭ Major | 9 | 6B | 127 BPM | ||
| Bhimpalasi | Shruti Sadolikar | D♭ Major | 4 | 3B | 177 BPM | ||
| Cosmos | G.S. Sachdev | F Major | 0 | 7B | 110 BPM | ||
| Channels and Winds | Philip Glass, Ravi Shankar, Tim Baker, Barry Finclair, Mayuki Fukuhara, Regis Iandiorio, Karen Karlsud, Sergiu Schwartz, Masako Yanagita, Al Brown, Richard Sortomme, Seymour Barab, Beverly Laudrisen, Fred Zlotkin, Joe Carver, Theresa Norris, Jack Kripl, J | F Major | 3 | 7B | 172 BPM | ||
| Harmony (alap) | Shivkumar Sharma, Hariprasad Chaurasia | D♭ Major | 8 | 3B | 141 BPM | ||
| Nature Sphere | Kaustav Majumder | B♭ Major | 2 | 6B | 84 BPM | ||
| Jhulat Radha Sang Giridhari - Meera Bhajan | Veena Sahastrabuddhe | B♭ Major | 5 | 6B | 105 BPM | ||
| Varanasi.. Till The Eternity | Bickram Ghosh | F♯ Minor | 7 | 11A | 110 BPM |