Charlie Spivak & His Orchestra's 'I Met Him on Monday' had a release date set for 1981. The duration of This song is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. I Met Him on Monday's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Charlie Spivak & His Orchestra's "Mostly 1941 - 1942" album is number 19 out of 24. On top of that, United States appears to be the country where this track was created. In terms of popularity, I Met Him on Monday is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of I Met Him on Monday by Charlie Spivak & His Orchestra to be Andante (at a walking pace) because the track has a tempo of 90 BPM, a half-time of 45BPM, and a double-time of 180 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Laura | Charlie Spivak & His Orchestra | A Major | 1 | 11B | 92 BPM | ||
| I Can't Get Started - Alternate Take | Bunny Berigan | G Minor | 3 | 6A | 97 BPM | ||
| Candy | Tommy Dorsey Orchestra | G Major | 2 | 9B | 112 BPM | ||
| Doctor, Lawyer, Indian Chief | Betty Hutton | A♭ Major | 3 | 4B | 176 BPM | ||
| So Rare | Carroll Gibbons, The Savoy Hotel Orpheans | C Major | 2 | 8B | 122 BPM | ||
| Fools Rush In (Where Angels Fear to Tread) | Glenn Miller Orchestra, Ray Eberle | E♭ Major | 3 | 5B | 103 BPM | ||
| String of Pearls | Members Of The Glenn Miller Orchestra | C Major | 1 | 8B | 140 BPM | ||
| Shadow Waltz | Rudy Vallee and His Connecticut Yankees | G Minor | 3 | 6A | 97 BPM | ||
| Mairzy Doats | The Merry Macs | F Minor | 2 | 4A | 157 BPM | ||
| Echoes of the Past: Oldies in the Air | Oldies Playing in another room | C Minor | 1 | 5A | 67 BPM | ||
| Remember | Larry Clinton | G Minor | 3 | 6A | 97 BPM | ||
| They Say | Helen Forrest, Artie Shaw | D Major | 2 | 10B | 123 BPM | ||
| Penthouse Serenade (When We're Alone) | Shirley Ross, Bob Hope | G Major | 2 | 9B | 169 BPM | ||
| I Remember You | Helen O'Connell | E♭ Major | 0 | 5B | 138 BPM | ||
| One Dozen Roses | Connee Boswell | A Minor | 2 | 8A | 93 BPM | ||
| It's been a long, long time | Charlie Spivak & His Orchestra, Charlie Spivak | F Minor | 3 | 4A | 103 BPM | ||
| Let's Put Out the Lights | Rudy Vallee and His Connecticut Yankees | G Minor | 3 | 6A | 97 BPM | ||
| Anything Goes | Ambrose & His Orchestra | E Major | 3 | 12B | 182 BPM | ||
| A Ghost of a Chance | Lee Wiley | D♭ Major | 2 | 3B | 68 BPM | ||
| I'm Steppin' Out With a Memory Tonight | Jimmy Dorsey, Helen O'Connell | G Minor | 3 | 6A | 97 BPM | ||
| Prisoner Of Love | Billy Eckstine | D♭ Major | 3 | 3B | 92 BPM | ||
| 'Tis Autumn | Les Brown | C Major | 1 | 8B | 86 BPM | ||
| Blue Skies | Betty Hutton | F Minor | 1 | 4A | 131 BPM | ||
| Manhattan | Lee Wiley | B♭ Minor | 1 | 3A | 90 BPM | ||
| Maria Elena | Jimmy Dorsey | G Minor | 3 | 6A | 97 BPM |