"Identifying the Skeleton" by Akihiko Narita had its release date on August 31, 2023. With This song being less than two minutes long, at 1:36, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There is only one song in エグゾプライマル オリジナルサウンドトラック, so we believe that "Identifying the Skeleton" is a single. In terms of popularity, Identifying the Skeleton is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Identifying the Skeleton by Akihiko Narita is Moderato (at a moderate speed), since this song has a tempo of 116 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 闇に走る赤い残光/ナルガクルガ | Akihiko Narita | A Minor | 9 | 8A | 132 BPM | ||
| Calamity | Jose Pavli | B Minor | 4 | 10A | 72 BPM | ||
| Will of Guard | Chamber Chu | A Minor | 4 | 8A | 130 BPM | ||
| Shriek and Ori | Gareth Coker | D♭ Major | 2 | 3B | 174 BPM | ||
| Arboretum | Yoann Laulan | C Minor | 5 | 5A | 150 BPM | ||
| Anomaly in the Forest | Zhenlan Kang, Akihiko Narita | B Minor | 8 | 10A | 144 BPM | ||
| 群青鎧の轟き/ディオレックス | Hideyuki Fukasawa | B♭ Minor | 9 | 3A | 152 BPM | ||
| Face of the Palace | 本良敬典(長現山妙常寺), グローリー・コーラス・トウキョウ, アトラスサウンドチーム, ATLUS GAME MUSIC | C Major | 9 | 8B | 142 BPM | ||
| Farde mal diavolo -Destroy Evil, then Come- | 金田光弘, ベイシスケイプ | F Major | 8 | 7B | 160 BPM | ||
| Savage of the Ancient Forest : The Chase | YUKO KOMIYAMA | B Major | 4 | 1B | 94 BPM | ||
| Congregation of the Fearless | Zhenlan Kang | B Minor | 8 | 10A | 144 BPM | ||
| Fallen S.A.B.E.R. | Michael Salvatori, C. Paul Johnson, Skye Lewin | D Minor | 5 | 7A | 148 BPM | ||
| A Brief Respite (Camp Theme) | Stuart Chatwood | D Major | 3 | 10B | 66 BPM | ||
| Curtain Call Suite - Treasured Melodies | Yasumasa Kitagawa | A Minor | 4 | 8A | 90 BPM | ||
| Bonding Winds - Monster Hunter Stories 2 Version | Marika Suzuki | G Major | 5 | 9B | 100 BPM | ||
| Possessed by Disease | 岡部啓一 | D Minor | 7 | 7A | 112 BPM | ||
| The Brilliance that Rules the Everstream - Kulve Taroth: Tremor | TADAYOSHI MAKINO | E Minor | 7 | 9A | 152 BPM | ||
| Fledgling Queen | Pete Lepley | C Major | 7 | 8B | 80 BPM | ||
| Red Afterglow Running In The Darkness / Nargacuga | Akihiko Narita, Hiro | G Major | 10 | 9B | 180 BPM | ||
| 吹雪纏いし焔/ディスフィロア | Hideyuki Fukasawa | A♭ Major | 9 | 4B | 80 BPM | ||
| GBVS Main Theme | Tsutomu Narita | G Major | 7 | 9B | 86 BPM | ||
| Dramatic Entrance | Clark Aboud | D Major | 3 | 10B | 108 BPM | ||
| Death's Door | David Fenn | E Minor | 6 | 9A | 105 BPM | ||
| Cornia Battle | 金田光弘, ベイシスケイプ | B♭ Major | 4 | 6B | 94 BPM | ||
| Prelude to Pursuit | Yasumasa Kitagawa | B♭ Major | 3 | 6B | 150 BPM |