"Hours Passing" by Fabrizio Paterlini had its release date on March 27, 2020. With This song being less than two minutes long, at 1:35, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 8 in the song's album "Transitions II". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Italy. Hours Passing is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Hours Passing by Fabrizio Paterlini having a BPM of 72 with a half-time of 36 BPM and a double-time of 144 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Idea 15 | Gibran Alcocer | D♭ Minor | 2 | 12A | 179 BPM | ||
| My Piano Era | Piano House, My Piano Era | B Minor | 0 | 10A | 108 BPM | ||
| Lionheart | Stephan Moccio | D Minor | 0 | 7A | 111 BPM | ||
| Flowing | Borrtex | A Minor | 1 | 8A | 150 BPM | ||
| Mood Effects | Melodrama | B Minor | 2 | 10A | 124 BPM | ||
| Perfect Balance | RIOPY | B Major | 2 | 1B | 137 BPM | ||
| Apricity | Yannick Lowack | E♭ Major | 2 | 5B | 109 BPM | ||
| I Can See You | Fabrizio Paterlini | G Major | 1 | 9B | 135 BPM | ||
| Coalescence | Borrtex | C Minor | 2 | 5A | 100 BPM | ||
| Hint of Perfection | Jiří Horák | C Minor | 1 | 5A | 73 BPM | ||
| and she was | Carlos Cipa | E Minor | 0 | 9A | 100 BPM | ||
| Where To Find Me - Orchestrated Extended Version | Piano House, Symphorea | B♭ Major | 1 | 6B | 63 BPM | ||
| Ancora una volta | Mattia Vlad Morleo | E Major | 0 | 12B | 120 BPM | ||
| Chiar di Luna | On Piano | G Minor | 1 | 6A | 105 BPM | ||
| Darkness Is Not the Opposite of Light | Fabrizio Paterlini | D Minor | 2 | 7A | 65 BPM | ||
| The hall is dancing | Fabrizio Paterlini | G Major | 0 | 9B | 106 BPM | ||
| Tales from the Loop | Philip Glass, Paul Leonard-Morgan | B Minor | 1 | 10A | 150 BPM | ||
| The Stars We Follow | Federico Albanese | A Minor | 1 | 8A | 125 BPM | ||
| Friends to Lovers - Piano | Zir Bijou | A♭ Minor | 1 | 1A | 138 BPM | ||
| First Snow | Amity Fall | G Minor | 0 | 6A | 181 BPM | ||
| Ignoring Limits | Jiří Horák | B Minor | 3 | 10A | 99 BPM | ||
| Sweeteyes | Luca Mazzillo | E Minor | 0 | 9A | 131 BPM | ||
| Shadow Land, Pt. 1 | Federico Albanese | F Minor | 1 | 4A | 123 BPM | ||
| The Rose And The Thorn | Johannes Bornlöf | F Minor | 2 | 4A | 121 BPM | ||
| Stay | Chad Lawson | E♭ Major | 1 | 5B | 69 BPM |