Max Morath's ' "Take Me Out to the Ball Game" was released on its scheduled release date, November 5, 1963. With This song being less than two minutes long, at 1:08, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 14 in the song's album "Presenting That Celebrated Maestro". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United States. In terms of popularity, Take Me Out to the Ball Game is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Take Me Out to the Ball Game by Max Morath having a BPM of 116 with a half-time of 58 BPM and a double-time of 232 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dill Pickles Rag | Donald Beavers | G Major | 3 | 9B | 104 BPM | ||
| Charleston Rag | Max Keenlyside | D♭ Major | 2 | 3B | 104 BPM | ||
| Nola (Felix Arndt, 1915) | Sue Keller | D Major | 2 | 10B | 149 BPM | ||
| When You Want 'Em, You Can't Get 'Em, When You've Got 'Em, You Don't Want 'Em | George Gershwin, Murray Roth | C Major | 1 | 8B | 79 BPM | ||
| Down Home Rag | Jo Ann Castle | E♭ Major | 4 | 5B | 110 BPM | ||
| Riverside Rag | 1923 Autopiano Player Piano | C Major | 3 | 8B | 114 BPM | ||
| Ted Snyder: Wild Cherries Rag | Ted Snyder, Max Morath | C Major | 2 | 8B | 116 BPM | ||
| Close Fit Blues | Clarence Williams, Memphis Jazzers | F Major | 2 | 7B | 102 BPM | ||
| Rippling Waters | Willie "The Lion" Smith, Morten Gunnar Larsen | D Major | 1 | 10B | 102 BPM | ||
| Reflection Rag-Syncopated Musings | Max Morath | E♭ Major | 1 | 5B | 149 BPM | ||
| La gallina, Op. 53, RO 100 (Version for Piano 4 Hands) | Louis Moreau Gottschalk, Brady Millican, Eugene List | E♭ Major | 2 | 5B | 104 BPM | ||
| Shine on Harvest Moon | Mrs Mills | C Major | 4 | 8B | 116 BPM | ||
| Makin' Frien's | Eddie Condon's Feetwarmers | C Minor | 2 | 5A | 75 BPM | ||
| New Era Rag (Live) | Tom Brier | F Major | 4 | 7B | 113 BPM | ||
| Hollywood Pastime | Larry Clinton & His Orchestra | E♭ Major | 2 | 5B | 170 BPM | ||
| Ragtime Nightingale | Max Morath | A♭ Major | 5 | 4B | 165 BPM | ||
| Kansas City Rag | James Lyle Scott, Morten Gunnar Larsen | C Major | 2 | 8B | 98 BPM | ||
| Fiddlesticks Rag | Al B. Coney, Palm Court Theatre Orchestra, Anthony Godwin | A Major | 3 | 11B | 108 BPM | ||
| The Ragtime Nightingale | Joseph F. Lamb, Morten Gunnar Larsen | E♭ Major | 1 | 5B | 133 BPM | ||
| Tendu | Lynn Stanford | A Major | 2 | 11B | 96 BPM | ||
| Frog Legs Rag | Guido Nielsen | A♭ Major | 3 | 4B | 104 BPM | ||
| Georgia Swing - Alternate Take | Jelly Roll Morton | B Major | 5 | 1B | 100 BPM | ||
| Big House Blues | Mick Mulligan & His Jazz Band, George Melly | D Minor | 4 | 7A | 207 BPM | ||
| Wild Man Blues | Johnny Dodds | B Major | 5 | 1B | 100 BPM | ||
| Poor Katie Redd | Eubie Blake, Richard Dowling | B♭ Major | 3 | 6B | 136 BPM |