"The Man" by Paul Cuddeford, Tim Benjamin had its release date on August 21, 2017. The duration of This song is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. The Man's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 10 in the song's album "The Forgotten". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, The Man is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Man by Paul Cuddeford, Tim Benjamin having a BPM of 100 with a half-time of 50 BPM and a double-time of 200 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ocotillo | Cameron McBride, Paul Cuddeford | D♭ Major | 3 | 3B | 146 BPM | ||
| Closing Roads | Dickon Hinchliffe | D Minor | 3 | 7A | 118 BPM | ||
| Shetland End Titles | John Lunn | D Major | 3 | 10B | 136 BPM | ||
| Ich wollt doch nur'n Witz machen | Helmut Zerlett, Stephan Ebn, Konstantin Wienstroer | A Minor | 3 | 8A | 133 BPM | ||
| Above All (A#) | Presencia Eterna | A♭ Major | 6 | 4B | 122 BPM | ||
| Under a Blood Red Sky | Paul Cuddeford, Tim Benjamin | C Major | 2 | 8B | 96 BPM | ||
| Steadfast | One Hundred Years | D Major | 6 | 10B | 140 BPM | ||
| King Crab | TMS Underscores, Paul Cuddeford | D Major | 6 | 10B | 130 BPM | ||
| Moochin' | Paul Cuddeford, JW Media Music | G Major | 2 | 9B | 102 BPM | ||
| Fortress | Alex Somers | D Major | 5 | 10B | 142 BPM | ||
| Still Me | Harper-Rose Peterson | D♭ Major | 6 | 3B | 92 BPM | ||
| Feel Like Dancing | Paul Cuddeford, JW Media Music | B Minor | 6 | 10A | 120 BPM | ||
| Trepidation | Mark Sayer-Wade, Paul Cuddeford, Jonathan Paxman, Standard Music Library | E Major | 5 | 12B | 150 BPM | ||
| Aerial Boundaries | Michael Hedges | G Major | 2 | 9B | 84 BPM | ||
| Soft Rains | Hushed | C Major | 2 | 8B | 77 BPM | ||
| Most Wanted | Cameron McBride, Paul Cuddeford | E Major | 0 | 12B | 110 BPM | ||
| Little Secret Self | River Foxcroft | B♭ Major | 2 | 6B | 132 BPM | ||
| Fade | Steven Gutheinz | C Major | 2 | 8B | 160 BPM | ||
| Venus Descending | Bonnie Grace | F Minor | 2 | 4A | 100 BPM | ||
| Talk | Antoine Dufour | G Minor | 6 | 6A | 130 BPM | ||
| INBAK | MidnoteLand | F Major | 3 | 7B | 178 BPM | ||
| Energized Morning | Airae | F♯ Major | 6 | 2B | 132 BPM | ||
| Way Out West | Makana | G Major | 2 | 9B | 116 BPM | ||
| Cosmic Cruiser | Standard Music Library, Paul Cuddeford, Jonathan Paxman, Mark Sayer-Wade | F Major | 6 | 7B | 150 BPM | ||
| All That Glitters | Standard Music Library, Paul Cuddeford, Jonathan Paxman, Mark Sayer-Wade | F Major | 6 | 7B | 150 BPM |