"Lupkow Pass" by Johan Söderqvist had its release date on August 24, 2018. With This song being less than two minutes long, at 1:19, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 2 out of 16 in Battlefield 1: In the Name of the Tsar (Original Game Soundtrack) by Johan Söderqvist, Patrik Andrén, EA Games Soundtrack. Going off of the ISRC code of this track, we detected that the origin of this track is from Canada. Lupkow Pass is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Lupkow Pass by Johan Söderqvist is Larghetto (rather broadly), since this song has a tempo of 62 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| A New One Begins | Dan Romer | B♭ Major | 4 | 6B | 92 BPM | ||
| Battlefield Theme - Orchestral Version | Mikael Karlsson | G Minor | 4 | 6A | 169 BPM | ||
| Friends In High Places | Johan Söderqvist, Patrik Andrén | G Minor | 3 | 6A | 91 BPM | ||
| Convergence | Joel Nielsen | C Major | 4 | 8B | 83 BPM | ||
| Arrival of the Blood Ravens | Paul Leonard-Morgan | A Major | 8 | 11B | 105 BPM | ||
| Absence of Light | Patrik Andrén, Johan Söderqvist, Embark Studios | F♯ Major | 3 | 2B | 110 BPM | ||
| Tiger Battle | Steven Price | G Major | 9 | 9B | 140 BPM | ||
| Gallipoli | Johan Söderqvist, Patrik Andrén | B Major | 1 | 1B | 100 BPM | ||
| Introduction To Africa | Ludvig Forssell | A Major | 3 | 11B | 164 BPM | ||
| End Credits Part 2 | Joel Nielsen | G Minor | 4 | 6A | 125 BPM | ||
| Black Bess | Johan Söderqvist, Patrik Andrén | A♭ Minor | 2 | 1A | 100 BPM | ||
| Hunting Down | Johan Söderqvist, Patrik Andrén | D♭ Major | 5 | 3B | 80 BPM | ||
| BT-7274 (Redux) - Bonus Track | Stephen Barton | D♭ Major | 4 | 3B | 139 BPM | ||
| The Fields | Johan Söderqvist | A Minor | 4 | 8A | 150 BPM | ||
| Naval Battle at St. Vincent | Richard Birdsall | C Minor | 5 | 5A | 80 BPM | ||
| Facing North | Johan Söderqvist, Patrik Andrén | B Minor | 7 | 10A | 126 BPM | ||
| A Rock and a Hard Place | Greg Edmonson | B♭ Minor | 4 | 3A | 137 BPM | ||
| Requiem | Neil Davidge | D♭ Major | 3 | 3B | 84 BPM | ||
| Reign of the Septims | Jeremy Soule, The Elder Scrolls | D Minor | 2 | 7A | 75 BPM | ||
| Talmberg Captured | Jan Valta, Adam Sporka | D♭ Major | 3 | 3B | 135 BPM | ||
| We Are Citizens | Olivier Deriviere, London Contemporary Orchestra | F Major | 0 | 7B | 65 BPM | ||
| Load Out | Paul Haslinger | E Minor | 4 | 9A | 92 BPM | ||
| O2 | George Strezov | G Minor | 3 | 6A | 120 BPM | ||
| Takeda Sunrise | Paradox Interactive | A♭ Minor | 4 | 1A | 120 BPM | ||
| Imperial Throne | Jeremy Soule | F Major | 0 | 7B | 130 BPM |