"Macbeth: Act I: Oh donna mia! (Macbeth, Lady Macbeth)" by Giuseppe Verdi, Giuseppe Altomare, Olha Zhuravel, Pavel Kudinov, Rubens Pelizzari, Marco Voleri, Luca Dall'Amico, William Corro, Andrea Pistolesi, Coro Lirico Marchigiano 'V. Bellini', Marchigiana Philharmonic Orchestra, Daniele Callegari had its release date on September 29, 2009. The duration of This song is about 3 minutes long, at 3:11. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Verdi, G.: Macbeth (Sferisterio Opera Festival, 2007) by Giuseppe Verdi, Daniele Callegari. The song's track number on the album is #8 out of 33 tracks. Based on our data, Hong Kong was the country where this track was produced or recorded. Based on our statistics, Macbeth: Act I: Oh donna mia! (Macbeth, Lady Macbeth)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Macbeth: Act I: Oh donna mia! (Macbeth, Lady Macbeth) by Giuseppe Verdi, Giuseppe Altomare, Olha Zhuravel, Pavel Kudinov, Rubens Pelizzari, Marco Voleri, Luca Dall'Amico, William Corro, Andrea Pistolesi, Coro Lirico Marchigiano 'V. Bellini', Marchigiana Philharmonic Orchestra, Daniele Callegari has a tempo of 133 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Macbeth: Act I: Oh donna mia! (Macbeth, Lady Macbeth) being at 133 BPM, the half-time would be 66 BPM with a double-time of 266 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Norma / Act 2: Guerra, guerra! | Vincenzo Bellini, Dame Joan Sutherland, Samuel Ramey, Chorus of the Welsh National Opera, Orchestra of the Welsh National Opera, Richard Bonynge | A Major | 2 | 11B | 85 BPM | ||
| Verdi: La traviata, Act 1: "Libiamo ne' lieti calici" (Live) | Giuseppe Verdi, The Three Tenors, Los Angeles Music Center Opera Chorus, Zubin Mehta, Los Angeles Philharmonic | B♭ Major | 3 | 6B | 107 BPM | ||
| Carmina Burana: XI. Estuans interius | Carl Orff, Dietrich Fischer-Dieskau, Orchester der Deutschen Oper Berlin, Eugen Jochum | A Minor | 4 | 8A | 84 BPM | ||
| Nabucco: Va, pensiero, sull'ali dorate (Chorus of the Hebrew Slaves) | Renato Cellini, Robert Shaw | A♭ Major | 1 | 4B | 168 BPM | ||
| Don Giovanni, K. 527, Act II: Canzonetta. Deh, vieni alla finestra | Wolfgang Amadeus Mozart, Peter Mattei, Royal Stockholm Philharmonic Orchestra, Lawrence Renes | D Major | 0 | 10B | 135 BPM | ||
| Norma / Act 1: Casta Diva | Vincenzo Bellini, Dame Joan Sutherland, Samuel Ramey, Welsh National Opera Chorus, Welsh National Opera Orchestra, Richard Bonynge | F Major | 1 | 7B | 67 BPM | ||
| Cavalleria rusticana: "O lola ch'ai di latti la cammisa" (Siciliana) | Pietro Mascagni, Carlo Bergonzi, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan | F Minor | 0 | 4A | 167 BPM | ||
| Saint-Saëns: Samson et Dalila, Op. 47, Act 2: "Mon cœur s'ouvre à ta voix" (Dalila) | Camille Saint-Saëns, Maria Callas, Georges Prêtre, French National Radio Orchestra | D♭ Major | 1 | 3B | 77 BPM | ||
| La gazza ladra: "Overture" | Philharmonia Orchestra, Herbert von Karajan | E Major | 2 | 12B | 107 BPM | ||
| Roméo et Juliette, CG 9 / Act 1: "Ah, je veux vivre dans ce rève" | Charles Gounod, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | C Major | 3 | 8B | 77 BPM | ||
| Verdi: Nabucco, Act 3: "Donna, chi sei?" (Nabucco, Abigaille) / Chi è costei?... Oh, di qual'onta aggravisi" (Nabucco, Abigaille) | Giuseppe Verdi, Philharmonia Orchestra, Riccardo Muti | A♭ Major | 2 | 4B | 78 BPM | ||
| Rigoletto / Act 3: "Ah, più non ragiono!..." | Giuseppe Verdi, Dame Joan Sutherland, Huguette Tourangeau, Martti Talvela, London Symphony Orchestra, Richard Bonynge | A Major | 4 | 11B | 107 BPM | ||
| Siface: Come Nave in mezzo all'onde | Nicola Porpora, Cecilia Bartoli, Il Giardino Armonico, Giovanni Antonini | E Major | 4 | 12B | 140 BPM | ||
| Cavalleria rusticana: Preludio | Pietro Mascagni, National Philharmonic Orchestra, Gianandrea Gavazzeni | F Major | 2 | 7B | 88 BPM | ||
| Puccini: La bohème, Act 1: "Ehi! Rodolfo! … O soave fanciulla, o dolce viso" (Schaunard, Colline, Marcello, Rodolfo, Mimi) | Giacomo Puccini, Maria Callas, Giuseppe Di Stefano, Rolando Panerai, Manuel Spatafora, Nicola Zaccaria, Antonino Votto, Orchestra Del Teatro Alla Scala, Milano, Orchestra Del Teatro Alla Scala Di Milan | A Major | 1 | 11B | 88 BPM | ||
| Die Walküre, Act III: Ride of the Valkyries | Richard Wagner, Budapest Symphony Orchestra, György Lehel | D♭ Major | 1 | 3B | 72 BPM | ||
| I Puritani / Act 2: Qui la voce sua soave - Live At Metropolitan Opera House, New York / 2011 | Vincenzo Bellini, Anna Netrebko, Metropolitan Opera Orchestra, Patrick Summers | E♭ Major | 0 | 5B | 79 BPM | ||
| Carmen, WD 31, Act II: Toreador Song. Votre toast, je peux vous le rendre | Georges Bizet, Alexandrina Milcheva, Nikola Nikolov, Liliana Vassileva, Nicola Ghiuselev, Stefka Popangelova, Tsvetanka Arshinkova, Milen Paounov, Verter Vrachovsky, Pavel Gerdjikov, Georgi Genov, Sofia National Opera Chorus, Sofia National Opera Orchestr | F Minor | 4 | 4A | 115 BPM | ||
| Orfeo ed Euridice: "Act III, Scene 1, Orfeo: Che farò senza Euridice? " | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor | G Major | 1 | 9B | 71 BPM | ||
| Carmen / Act 3: Entr'acte | Georges Bizet, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 1 | 6B | 121 BPM | ||
| Barcarolle: Schöne Nacht, du Liebesnacht - Hoffmanns Erzählungen | Jacques Offenbach, Jesús López-Cobos, Hei-Kyung Hong, Jennifer Larmore, Munich Radio Orchestra | D Major | 2 | 10B | 81 BPM | ||
| La forza del destino, Act II: La Vergine degli angeli (Fra Melitone/Padre Guardiano) | Giuseppe Verdi, Sesto Bruscantini/Paul Plishka/Coro del Teatro alla Scala, Milano/Orchestra del Teatro alla Scala, Milano/Riccardo Muti, Riccardo Muti, Orchestra Del Teatro Alla Scala Di Milan, Orchestra Del Teatro Alla Scala, Milano | A♭ Major | 1 | 4B | 82 BPM | ||
| Bizet: Carmen, WD 31, Act 1: "Sur la place, chacun passe" (Chœur, Moralès) | Georges Bizet, Michel Plasson, Les Éléments, Ludovic Tezier, Orchestre National Du Capitole De Toulouse | B♭ Major | 1 | 6B | 107 BPM | ||
| Norma (1997 Digital Remaster): Casta Diva | Maria Callas, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano | F Major | 1 | 7B | 169 BPM | ||
| Orfeo ed Euridice (Orphée et Euridice), Wq. 30 / Act 3: "Che farò senza Euridice?" | Christoph Willibald Gluck, Janet Baker, English Chamber Orchestra, Raymond Leppard | D Major | 1 | 10B | 96 BPM |