On April 12, 2019, the song "Tu Hai Sabka Palan Hara" was released by Rakesh Kala, Naresh Narsi. With this song being around four minutes long, at 4:26, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Rakesh Kala's "Gyaras Ki Raat" album is number 29 out of 32. On top of that, India appears to be the country where this track was created. Based on our statistics, Tu Hai Sabka Palan Hara's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Tu Hai Sabka Palan Hara by Rakesh Kala, Naresh Narsi to be Allegro (fast, quick, and bright) because the track has a tempo of 130 BPM, a half-time of 65BPM, and a double-time of 260 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mera Koi Na Sahara Bin Tere Ghanshyam | Puran Shiva | D Major | 6 | 10B | 80 BPM | ||
| Hamare Saath Shri Raghunath | Govind Krsna Das | E♭ Major | 5 | 5B | 178 BPM | ||
| Apni Thakrani Shree Radha Rani | Tarun Sagar | A Major | 6 | 11B | 184 BPM | ||
| Prem Ab Anant Ho Gaya | Prem Bhushan Maharaj | D Major | 5 | 10B | 131 BPM | ||
| Radhey Radhey Japa Karo | Mridul Krishan Shastri | D♭ Major | 8 | 3B | 132 BPM | ||
| Man Mandir Mein | Krishna Beuraa | A Major | 8 | 11B | 81 BPM | ||
| Radha Naam Param Sukhdai | Dhruv Sharma, Swarna Shri | E♭ Major | 5 | 5B | 178 BPM | ||
| Kanhaiya Meri Laaj Rakhna | Reshmi Sharma | D♭ Minor | 10 | 12A | 115 BPM | ||
| O Barsane Wali | Anjali Jain, Rakesh Kala, Ajeet Manocha, Pramod | A Major | 8 | 11B | 111 BPM | ||
| Krishna Bhajan 2 - Mashup | Dhruv Sharma, Swarna Shri | A Major | 8 | 11B | 174 BPM | ||
| Lakshman Sa Bhai Ho | Tripti Shakya | E Major | 4 | 12B | 94 BPM | ||
| Meethe Rash Se Bhari Radha Rani Lage | Rakesh Kala | F Minor | 7 | 4A | 88 BPM | ||
| Ambe Tu Hai Jagdambe Kali | Rajalakshmee Sanjay | F♯ Major | 2 | 2B | 129 BPM | ||
| Shrinathji Mangla Charan | Chorus | E♭ Major | 3 | 5B | 90 BPM | ||
| Janki Stuti | Sonika Sharma Agarwal | E♭ Major | 5 | 5B | 110 BPM | ||
| Shri Radhe Mohe Brij Ko | Rahul Savera | B♭ Minor | 9 | 3A | 140 BPM | ||
| Chalo Shiv Shankar Ke Mandir Mein Bhakton | Vipin Sachdeva | D♭ Minor | 6 | 12A | 150 BPM | ||
| Raja Ji Khajanwa De Da | Pujya Rajan Ji Official | E♭ Minor | 6 | 2A | 131 BPM | ||
| Kare Bhagat Teri Arti | Rakesh Tiwari | B♭ Minor | 5 | 3A | 73 BPM | ||
| Shani Chalisa (Superfast) | Manjeera Ganguly | A♭ Major | 10 | 4B | 140 BPM | ||
| Radhey Radhey Japo Chale Aayenge Bihari | Mridul Krishan Shastri | G Minor | 5 | 6A | 100 BPM | ||
| Shankar Teri Jata Me (Bhajan) [Live] | Pujya Rajan Ji Official | F Minor | 6 | 4A | 121 BPM | ||
| Lingaashtakam | Pujya Bhaishree Rameshbhai Ojha | D♭ Major | 8 | 3B | 102 BPM | ||
| Aarti Durga Mata Ki | Preeti | F♯ Major | 8 | 2B | 92 BPM | ||
| Saraswati Chalisa | Vidhi Sharma | F♯ Minor | 6 | 11A | 168 BPM |