Max Reger, Bamberg Symphony, Horst Stein's 'Variations And Fugue On A Theme by Johann Adam Hiller, Op. 100: 5. Var. IV: Poco vivace' had a release date set for June 29, 2018. The duration of This song is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. Variations And Fugue On A Theme by Johann Adam Hiller, Op. 100: 5. Var. IV: Poco vivace's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Max Reger, Various Artists's "Max Reger - Orchestral Edition - Variations, Suites, Romances" album is number 15 out of 56. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Variations And Fugue On A Theme by Johann Adam Hiller, Op. 100: 5. Var. IV: Poco vivace is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Variations And Fugue On A Theme by Johann Adam Hiller, Op. 100: 5. Var. IV: Poco vivace by Max Reger, Bamberg Symphony, Horst Stein to be Andante (at a walking pace) because the track has a tempo of 97 BPM, a half-time of 48BPM, and a double-time of 194 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mompou: Paisajes: No. 2, El lago | Federico Mompou, Leif Ove Andsnes | A Minor | 0 | 8A | 72 BPM | ||
| Keyboard Sonata in F Major, Kk. 446 (Arr. for Piano by Ignaz Friedman) | Domenico Scarlatti, Joseph Banowetz | A Major | 0 | 11B | 72 BPM | ||
| Symphony No. 1 for Organ and Orchestra, Op. 42: III. Finale | Alexandre Guilmant, Ian Tracey, Yan Pascal Tortelier, BBC Philharmonic | G Minor | 2 | 6A | 82 BPM | ||
| Serenade for Wind in D Minor, Op. 44: III. Andante con moto | Antonín Dvořák, Martin Gabriel, Alexander Oehlberger, Peter Schmidl, Andreas Wieser, Stepan Turnovsky, Wolfgang Koblitz, Fritz Faltl, Ronald Janezic, Thomas Joebstl, Wolfgang Vladar, Wolfgang Herzer, Herbert Mayr, Myung-Whun Chung | A Major | 0 | 11B | 139 BPM | ||
| Valses nobles et sentimentales, M.61: 7. Moins vif | Maurice Ravel, Gordon Fergus-Thompson | A Major | 1 | 11B | 105 BPM | ||
| Symphony No. 4 in D Minor: II. Romanza. Andante (1841) | Robert Schumann, Berliner Philharmoniker, Sir Simon Rattle | A♭ Major | 0 | 4B | 94 BPM | ||
| 52 Chorale Preludes, Op. 67: No. 44, Was Gott tut, das ist wohlgetan | Max Reger, Martin Welzel | D♭ Major | 0 | 3B | 71 BPM | ||
| 2. Allegro Scherzando | Josef Karlicek, Petr Karlicek | C Major | 0 | 8B | 138 BPM | ||
| Liszt: Ave Maria IV, S. 545 | Franz Liszt, Stephen Hough | G Major | 0 | 9B | 93 BPM | ||
| Sæverud: Tunes and Dances from Siljustol, Book IV, Op. 25: No. 4, Tone's Cradle Song | Harald Sæverud, Leif Ove Andsnes | B Minor | 0 | 10A | 63 BPM | ||
| Lyric Pieces: Melodie / Melody, Op. 47, 3 | Edvard Grieg, Heidi Kommerell | C Major | 0 | 8B | 138 BPM | ||
| Suite: Graceful Dance | Ernest Tomlinson, Royal Northern Sinfonia, David Lloyd-Jones | D Major | 3 | 10B | 133 BPM | ||
| All-night Vigil, Op. 37: No. 12, Glory to God in the Highest | Sergei Rachmaninoff, Latvijas Radio koris, Sigvards Kļava | F Minor | 1 | 4A | 70 BPM | ||
| Soirees musicales, Op. 6: III. Mazurka | Clara Schumann, Yoshiko Iwai | C Major | 0 | 8B | 66 BPM | ||
| 3 Sacred Hymns: 3. Our Father | Alfred Schnittke, Bavarian Radio Chorus, Peter Dijkstra | E Minor | 1 | 9A | 68 BPM | ||
| Organoedia ad missam lectam, K. 186: V. Sanctus | Zoltán Kodály, Iain Quinn | A Major | 0 | 11B | 68 BPM | ||
| Fünf Skizzen, Op. 114: V. Im Frühling | Jean Sibelius, Leif Ove Andsnes | E Major | 0 | 12B | 71 BPM | ||
| Chromatische Fantasie und Fuge: I. Fantasia. Vivacissimo | Johann Sebastian Bach, Max Reger, Jörg Halubek | C Major | 0 | 8B | 138 BPM | ||
| Cello Concerto in C Minor, Op. 43: I. Adagio | Mieczysław Weinberg, Kristina Reiko Cooper, Constantine Orbelian, Kaunas City Symphony Orchestra | C Major | 0 | 8B | 138 BPM | ||
| Messe solennelle pour deux orgues et choeur, Op. 16: III. Sanctus | Louis Vierne, Michel Bouvard | E Major | 3 | 12B | 69 BPM | ||
| Vexilla regis, WAB 51 | Anton Bruckner, Collegium Vocale Gent, Philippe Herreweghe | F Major | 0 | 7B | 82 BPM | ||
| 52 Easy Chorale Preludes, Op. 67: No. 20, Jesus, meine Zuversicht | Max Reger, Bernhard Buttmann | C Major | 0 | 8B | 62 BPM | ||
| Fünf Skizzen, Op. 114: III. Der Teich | Jean Sibelius, Leif Ove Andsnes | C Major | 1 | 8B | 70 BPM | ||
| 3 Romances, Op. 22: No. 1, Andante molto | Clara Schumann, Fabio Biondi, Luigi Di Llio | B♭ Major | 1 | 6B | 77 BPM | ||
| Symphony No. 3 in E Flat Major, Op. 90: III. Menuetto. Moderato - Trio I - Trio II | Ferdinand Ries, Tapiola Sinfonietta, Janne Nisonen | E♭ Major | 0 | 5B | 174 BPM |