Ravindra Sathe, Chandrakant Kale's ' "Lingobacha Dongur" was released on its scheduled release date, December 31, 1977. With This song being less than two minutes long, at 1:25, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Hridaynath Mangeshkar's "Jait Re Jait (Original Motion Picture Soundtrack)" album is number 10 out of 13. On top of that, India appears to be the country where this track was created. The popularity of Lingobacha Dongur is currently not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Lingobacha Dongur by Ravindra Sathe, Chandrakant Kale to be Presto (very, very fast) because the track has a tempo of 178 BPM, a half-time of 89BPM, and a double-time of 356 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hoi Na Bhikari Pandharicha Varakari (From "Tukaram") | Ashok Patki, Dnyaneshwar Meshram, Anirudha Joshi | B♭ Major | 6 | 6B | 91 BPM | ||
| Uth Pandharichya Raaja | Prasad Sawkar, G.D. Madgulkar | F♯ Major | 2 | 2B | 81 BPM | ||
| Sawalya Vithala | Suman Kalyanpur | D♭ Major | 1 | 3B | 128 BPM | ||
| Muralidharsham - Katyar Kaljat Ghusli | Mahesh Kale | F♯ Minor | 7 | 11A | 130 BPM | ||
| Galavarchi Lali Tuzya Vadhali Kashi | Mahendra Kapoor, Shaila Chikhale | F Minor | 7 | 4A | 125 BPM | ||
| Aai Majhi Konala Pavli | Mangesh Datta | B♭ Minor | 7 | 3A | 125 BPM | ||
| Malyachya Malya Madhi Kon Ga Ubhi | Usha Mangeshkar, Jaywant Kulkarni | F Major | 4 | 7B | 169 BPM | ||
| Ude Ga Ude Ga Ambe | Arvind Mohite | D Major | 9 | 10B | 103 BPM | ||
| Baglyanchi Maalphule - 1970 | Vasantrao Deshpande | A Minor | 3 | 8A | 144 BPM | ||
| Chandra Bhagechya Tiri | Prahlad Shinde | C Minor | 6 | 5A | 147 BPM | ||
| Navika Re Vara Vahe Re | Suman Kalyanpur | B♭ Major | 3 | 6B | 136 BPM | ||
| Bhatukalichya Khela Madhali Raja Anik Rani | Arun Date | E♭ Minor | 4 | 2A | 150 BPM | ||
| Kali Maina Distes Tarun Ghe Prem Karun | Manoj Bhadkwad, S K Brothers | D Major | 10 | 10B | 138 BPM | ||
| Tu Sukhakarta | Neha | A♭ Minor | 8 | 1A | 108 BPM | ||
| Ekvira Aai Tu Dongraavaree | Anupama | A Major | 7 | 11B | 75 BPM | ||
| Tuzya Kantisam Raktapataka | Suman Kalyanpur, G.D. Madgulkar | E♭ Minor | 2 | 2A | 101 BPM | ||
| Omkara Omkara Trishuldhari Maheshwara | Ravindra Sathe | B Major | 5 | 1B | 89 BPM | ||
| Naad Vitthal Vitthal | Vasant Ajgaonkar | F♯ Major | 10 | 2B | 90 BPM | ||
| Ghan Otambuni Yeti | Lata Mangeshkar | E Major | 4 | 12B | 87 BPM | ||
| Sang Sakhya Re | Sandeep Khare, Salil Kulkarni | F♯ Major | 2 | 2B | 90 BPM | ||
| Kalidar Kapuri Paan | Sulochana Chavan | B Minor | 3 | 10A | 139 BPM | ||
| Sarvatmaka Sarveshwara | Jitendra Abhisheki | E Major | 3 | 12B | 72 BPM | ||
| Geli Kuth Gavana | Usha Mangeshkar | D Major | 5 | 10B | 86 BPM | ||
| Powada | Nandesh Umap | B♭ Minor | 6 | 3A | 96 BPM | ||
| Satyam Shivam Sundara | Uttara Kelkar | B♭ Minor | 6 | 3A | 79 BPM |