Silvina Rouco's 'Adagio (Amanecer en Gibson)' had a release date set for February 11, 2004. The duration of This song is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. Adagio (Amanecer en Gibson)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Silvina Rouco's "Música para Ballet, Vol. 7" album is number 18 out of 30. On top of that, Argentina appears to be the country where this track was created. Adagio (Amanecer en Gibson) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Adagio (Amanecer en Gibson) by Silvina Rouco to be Adagio (slowly with great expression) because the track has a tempo of 72 BPM, a half-time of 36BPM, and a double-time of 144 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Battement Frappe. Moderate 2/4, 32 Measures, 8-8's | Finis Jhung & Bill Brown | C Minor | 2 | 5A | 103 BPM | ||
| Tendu: Help from My Friends | Lisa Harris | E Major | 1 | 12B | 67 BPM | ||
| Rigoletto, Act III: La Donna É Mobile (Battement Tendu) | Giuseppe Fortunino Verdi, Charles Mathews | G Major | 1 | 9B | 119 BPM | ||
| Warm up 2/4 64 Counts | Marina Stolyar | B Minor | 2 | 10A | 112 BPM | ||
| Battement Fondu | 이예정 | D Major | 1 | 10B | 108 BPM | ||
| Plie in E-Flat Major, ballet "La fille mal Gardée", Lise variation in E-Flat Major, Act 1 | Konstantin Mortensen | E♭ Major | 1 | 5B | 150 BPM | ||
| Warm up in F-Major | Konstantin Mortensen | C Major | 1 | 8B | 95 BPM | ||
| Carmen, Act I: No. 5, Habanera (Fondu) | Nina Pinzarrone | D Major | 1 | 10B | 87 BPM | ||
| Pliés in B-Flat Major, Waldszenen, Op.82, Abschied | Robert Schumann, Konstantin Mortensen | B♭ Major | 1 | 6B | 81 BPM | ||
| Plies (vol. 3 barre) | 최선경 | D Major | 1 | 10B | 70 BPM | ||
| Polka Dots and Moonbeams - Rond de jambe à terre | Peter James | E♭ Major | 2 | 5B | 163 BPM | ||
| Battements Tendus: Village in May (My Neighbor Totoro, 64c) | Nare Shin | C Major | 2 | 8B | 124 BPM | ||
| Insomnia | Pino Moravia | C Minor | 0 | 5A | 91 BPM | ||
| Warm up in F Major | Konstantin Mortensen | F Major | 1 | 7B | 79 BPM | ||
| Battement Soutenu. Metre 3/4. | Vadim Proshich, MetodoVadim | A♭ Major | 1 | 4B | 104 BPM | ||
| Slow Tendu: A Whole New World (From "Aladdin") | Ray Lindsey, Chelsea Viste | F Major | 0 | 7B | 68 BPM | ||
| Eau De Colonia | Cecy Landia | A♭ Major | 0 | 4B | 132 BPM | ||
| Waltz (vol. 3 center) | 최선경 | E♭ Major | 4 | 5B | 89 BPM | ||
| Battement tendu jeté 6/8 | The Ballet Pianist | G Major | 3 | 9B | 137 BPM | ||
| Detiré (Tema de "Desaparecido") | Silvina Rouco | C Major | 2 | 8B | 105 BPM | ||
| Battements Tendus 1 (vol.3 Song for Ballet) | 김한나 (H.N.Kim), 김한나 | C Major | 3 | 8B | 77 BPM | ||
| Warming-up Ⅰ 2/4 (Suite no.4 op.61) | Eun S. Kim | G Major | 1 | 9B | 87 BPM | ||
| Warm up in E-Flat Major | Konstantin Mortensen | G Major | 2 | 9B | 85 BPM | ||
| Plié: Go the Distance (From "Hercules") [24x8] | Ray Lindsey, Chelsea Viste | D Major | 0 | 10B | 70 BPM | ||
| Petit Adagio (La Huella) | Silvina Rouco | C Major | 3 | 8B | 150 BPM |