Louis Couperin, Jean Rondeau's 'Couperin, L: Suite en ré: VII. Sarabande, G. 51' had a release date set for November 14, 2025. With this song being around four minutes long, at 3:54, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Louis Couperin, Jean Rondeau's "Louis Couperin: The Complete Works, Vol. I" album is number 7 out of 23. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Couperin, L: Suite en ré: VII. Sarabande, G. 51 is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Couperin, L: Suite en ré: VII. Sarabande, G. 51 by Louis Couperin, Jean Rondeau to be Andante (at a walking pace) because the track has a tempo of 92 BPM, a half-time of 46BPM, and a double-time of 184 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 5/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Rosenkranzsonate No. 1 in D Minor, C 90 "The Annunciation": I. Praeludium | Heinrich Ignaz Franz von Biber, Gunar Letzbor, Ars Antiqua Austria | D♭ Major | 1 | 3B | 171 BPM | ||
| Sinfonie a cinque per due violini, alto, tenore, violoncello e basso, Op. 2. Sonata a cinque in C Major, No. 2: I. Largo | Tomaso Albinoni, Ensemble 415, Chiara Banchini | B Major | 7 | 1B | 108 BPM | ||
| Aria malinconica (Adagio) | Nicola Matteis, Gli Incogniti, Amandine Beyer | E Major | 2 | 12B | 129 BPM | ||
| Anglebert: Pièces de clavecin: Suite No. 4 en ré majeur: VIII. Tombeau de Mr. de Chambonnières. Fort lentement | Jean-Henri d'Anglebert, Jean Rondeau | C Major | 3 | 8B | 82 BPM | ||
| Couperin, L: Suite en la: VIII. Gavotte de Mr. Hardel et son double par Mr. Couperin, G. 125 | Jacques Hardel, Louis Couperin, Jean Rondeau | G Minor | 4 | 6A | 117 BPM | ||
| Pieces de clavecin, Book 2, 6th Ordre: Les baricades misterieuses (Arr. Y. Imamura) | François Couperin, Yasunori Imamura | A Major | 2 | 11B | 76 BPM | ||
| Suite in D minor (Paris, 1699): Chaconne | Davitt Moroney | D♭ Minor | 5 | 12A | 98 BPM | ||
| Viola da Gamba Suite in D Major: VII. Tempo di minuet | Carl Friedrich Abel, Paolo Pandolfo | F♯ Minor | 0 | 11A | 113 BPM | ||
| Suite in A Minor, Krebs-WV 819: IV. Courrante | Johann Ludwig Krebs, Steven Devine | B Major | 3 | 1B | 94 BPM | ||
| Canonnade: gayement | Claude Balbastre, Jean-Patrice Brosse | D♭ Major | 4 | 3B | 104 BPM | ||
| Marais: Suite en si: I. Prélude (Transcr. Rondeau pour clavecin) | Marin Marais, Jean Rondeau | E♭ Major | 2 | 5B | 135 BPM | ||
| Rameau: Premier livre de pièces de Clavecin, (1706), Suite in A Minor, RCT 1: No. 1 Prélude | Jean-Philippe Rameau, Jean Rondeau | G Minor | 3 | 6A | 80 BPM | ||
| Lachrimæ antiquæ (Improvisation After the Lachrimæ or Seaven Teares by John Dowland) | Sokratis Sinopoulos, L'Achéron, François Joubert-Caillet, John Dowland | D♭ Minor | 1 | 12A | 101 BPM | ||
| Symphony No. 3 in C Major, Op. 2, "the Chaplet": II. Vivace | William Boyce, Aradia Ensemble, Kevin Mallon | B Major | 0 | 1B | 82 BPM | ||
| Chambonnières: Les pièces de clavessin, Livre II: Pavanne | Jacques Champion de Chambonnières, Jean Rondeau | A♭ Major | 3 | 4B | 108 BPM | ||
| Terpsichore, HWV 8b: Chaconne | Georg Friedrich Händel, Die Freitagsakademie, Katharina Suske | A♭ Major | 2 | 4B | 114 BPM | ||
| Couperin, L: Suite en sol: IV. Sarabande, G. 97 | Louis Couperin, Jean Rondeau | E♭ Major | 2 | 5B | 135 BPM | ||
| Scarlatti, D: Keyboard Sonata in F Minor, Kk. 69 | Domenico Scarlatti, Jean Rondeau | B Major | 2 | 1B | 116 BPM | ||
| Sonate pour le violon et le clavecin in D Minor: II. Presto | Élisabeth Jacquet de La Guerre, Sophie de Bardonnèche, Lucile Boulanger, Justin Taylor | D♭ Major | 0 | 3B | 138 BPM | ||
| Ouverture in G Minor: V. Fantaisie | Johann Bernhard Bach, L'Achéron, François Joubert-Caillet | F Minor | 2 | 4A | 103 BPM | ||
| Sonata da camera in G Minor, "O Haupt voll Blut und Wunden": I. Largo | Johann Gottlieb Janitsch, Il Gardellino | F♯ Minor | 2 | 11A | 171 BPM | ||
| Mystery Sonata No. 2 "The Visitation": II. Allaman - III. Presto | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen-Pilch, Battalia | A♭ Major | 1 | 4B | 95 BPM | ||
| Madrigals Libro, No.6: Moro, Lasso, Al Mio Duolo | Carlo Gesualdo, Musica Sequenza, BURAK | F♯ Minor | 1 | 11A | 75 BPM | ||
| Manuscrit de Cracovie, Suite in D Minor: Ballet | Nicolas Hotman, Lucile Boulanger | D♭ Minor | 1 | 12A | 60 BPM | ||
| Viola da Gamba Suite in D Major: X. Minuetto | Carl Friedrich Abel, Paolo Pandolfo | D♭ Major | 0 | 3B | 142 BPM |