Pierre Rode, Axel Strauss's ' "24 caprices en formes d'etudes: No. 24 in D Minor" was released on its scheduled release date, December 15, 2009. The duration of This song is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. 24 caprices en formes d'etudes: No. 24 in D Minor's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 24 in the song's album "Rode, P.: 24 Caprices for Solo Violin". In this album, this song's track order is #24. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, 24 caprices en formes d'etudes: No. 24 in D Minor is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With 24 caprices en formes d'etudes: No. 24 in D Minor by Pierre Rode, Axel Strauss having a BPM of 116 with a half-time of 58 BPM and a double-time of 232 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Vieuxtemps: Violin Concerto No. 4 in D Minor, Op. 31: IV. Finale marciale | Henri Vieuxtemps, Itzhak Perlman, Daniel Barenboim, Orchestre de Paris | D Major | 3 | 10B | 76 BPM | ||
| 4 Romantic Pieces, Op. 75, B. 150 (Arr. for Violin & Orchestra by Alex Fortes): No. 1, Allegro moderato | Antonín Dvořák, Grace Park, PKF - Prague Philharmonia, Emmanuel Villaume | B♭ Major | 1 | 6B | 94 BPM | ||
| Sonata No. 5 in E Minor, RV 40: IV. Allegro | Ashima Scripp, Eleanor Perrone | E Minor | 2 | 9A | 117 BPM | ||
| 5 Pieces for 2 Violins & Piano (Arr. for 2 Violins & Piano by Lev Atovmyan): No. 2, Gavotte. Tranquillo, molto leggiero | Dmitri Shostakovich, Julia Fischer, Kirill Troussov, Henri Bonamy | A Major | 1 | 11B | 81 BPM | ||
| Beethoven: Violin Sonata No. 9 in A Major, Op. 47 "Kreutzer": III. Finale. Presto | Ludwig van Beethoven, Itzhak Perlman, Martha Argerich | A Major | 2 | 11B | 100 BPM | ||
| Sonata No. 6 in E Major, Op. 27 No. 6 : Allegro giusto non troppo vivo | Eugène Ysaÿe, James Ehnes | A Major | 1 | 11B | 110 BPM | ||
| Bagatelles, Op. 47, B. 79: No. 4 in E Major, Canon. Andante con moto | Antonín Dvořák, Josef Suk, Miroslav Ambroš, Jiří Bárta, Jan Simon | E Major | 1 | 12B | 135 BPM | ||
| Accolay: Violin Concerto No. 1 in A Minor | Jean Baptist Accolay, Itzhak Perlman, Lawrence Foster, The Juilliard Orchestra | A Minor | 2 | 8A | 97 BPM | ||
| Sonata No. 2 in E Minor | Benedetto Marcello, Richard Webb, Anthony Pleeth, Christopher Hogwood | F♯ Major | 1 | 2B | 126 BPM | ||
| Romanian Folk Dances (arr. for Violin & Piano): IV. Molto moderato | Béla Bartók, Ensemble Villa Musica | D Minor | 0 | 7A | 77 BPM | ||
| Schubert: String Quartet No. 14 in D Minor, D. 810, "Death and the Maiden": II. Andante con moto. Variation II | Franz Schubert, Quatuor Arod | A♭ Major | 1 | 4B | 82 BPM | ||
| Suite for Cello Solo: Prelude - Fantasia | Gaspar Cassadó, Bernd Glemser, Maria Kliegel | G Major | 0 | 9B | 113 BPM | ||
| Suite For Cello And Orchestra, Op. 16b, R. 211: 3. Gavotte. Allegro non troppo | Camille Saint-Saëns, Camille Thomas, Orchestre National de Lille, Alexandre Bloch | D Major | 1 | 10B | 84 BPM | ||
| Miniatures, Op. 75a, B. 149: No. 1 in B-Flat Major, Cavatina. Moderato | Antonín Dvořák, Josef Suk, Miroslav Ambroš, Karel Untermüller | D Major | 3 | 10B | 85 BPM | ||
| Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": I. Allegro | Joseph Haydn, Quatuor Arod | G Major | 2 | 9B | 102 BPM | ||
| 5 Pieces for 2 Violins & Piano (Arr. for 2 Violins & Piano by Lev Atovmyan): No. 1, Prelude. Moderato | Dmitri Shostakovich, Julia Fischer, Kirill Troussov, Henri Bonamy | G Major | 2 | 9B | 101 BPM | ||
| 6 Sonatas for Violin Solo, Op. 27 / Sonata No. 1 in G Minor: III. Allegretto poco scherzoso | Eugène Ysaÿe, Hilary Hahn | B♭ Major | 1 | 6B | 60 BPM | ||
| Histoire du Tango: II. Café 1930 (Arr. for violin and piano by Dmitriy Varelas) | Louise Bessette, Marc Djokic | G Minor | 1 | 6A | 132 BPM | ||
| 5 Pieces for 2 Violins & Piano (Arr. for 2 Violins & Piano by Lev Atovmyan): No. 4, Waltz. Tempo di valse, moderato | Dmitri Shostakovich, Julia Fischer, Kirill Troussov, Henri Bonamy | E♭ Major | 2 | 5B | 100 BPM | ||
| Duo Concertant for 2 Violins No. 3 in D-Sharp Major, Op. 57: III. Allegretto | Charles-Auguste de Bériot, Bohumil Kotmel, Pavel Hula | A Major | 1 | 11B | 125 BPM | ||
| Concerto for 2 Cellos in G Minor, RV 531: II. Largo | Julian Lloyd Webber, Jiaxin Lloyd Webber, European Union Chamber Orchestra, Hanspeter Hofmann | G Minor | 1 | 6A | 108 BPM | ||
| Malagueña, op.165 No.3 | Itzhak Perlman, Samuel Sanders | G Major | 1 | 9B | 89 BPM | ||
| Concerto for 2 Violins in D Minor, BWV 1043: III. Allegro | Johann Sebastian Bach, Zubin Mehta, New York Philharmonic, Isaac Stern, Itzhak Perlman | D Minor | 4 | 7A | 96 BPM | ||
| Sonata X in G Major for Two Cellos: I. Andante | Jean Barrière, Patrick Demenga, Thomas Demenga | D Major | 0 | 10B | 178 BPM | ||
| Symphonie espagnole, Op. 21: II. Scherzando. Allegro molto | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | G Major | 1 | 9B | 105 BPM |