"3.4_3-microaggression.ang" by Mac Quayle had its release date on August 17, 2018. The duration of This song is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. 3.4_3-microaggression.ang's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Mac Quayle's "Mr. Robot, Vol. 5 (Original Television Series Soundtrack)" album is number 24 out of 26. On top of that, United States appears to be the country where this track was created. Based on our statistics, 3.4_3-microaggression.ang's popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of 3.4_3-microaggression.ang by Mac Quayle to be Allegro (fast, quick, and bright) because the track has a tempo of 130 BPM, a half-time of 65BPM, and a double-time of 260 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Let The Girls Out | Ryan Amon | G Major | 2 | 9B | 170 BPM | ||
| Die Glocke | Martin Stig Andersen | F Major | 1 | 7B | 66 BPM | ||
| Drop Shots - Medley | Jason Hill | D Minor | 2 | 7A | 74 BPM | ||
| Donovan | Brian Reitzell | G Major | 8 | 9B | 122 BPM | ||
| The Red Button | Tempest Rising Original Soundtrack | D Major | 5 | 10B | 90 BPM | ||
| Hijack | Hans Zimmer, Benjamin Wallfisch | B♭ Major | 4 | 6B | 137 BPM | ||
| Let There Be Light | Max Richter | G Minor | 2 | 6A | 80 BPM | ||
| Working Joes | The Flight, Christian Henson | D♭ Major | 9 | 3B | 164 BPM | ||
| Singapore Ambient (Part 2) | Michael McCann | B♭ Minor | 3 | 3A | 86 BPM | ||
| Spit It Out | Cliff Martinez | D♭ Major | 6 | 3B | 105 BPM | ||
| System One | Makeup And Vanity Set | C Major | 3 | 8B | 120 BPM | ||
| 1.0_5-pierreloti.au | Mac Quayle | G Major | 2 | 9B | 100 BPM | ||
| Saren | Jack Wall, Richard Jacques, EA Games Soundtrack | A Major | 5 | 11B | 180 BPM | ||
| Intro - Portam Ad Inferno | Petri Alanko | A Major | 3 | 11B | 107 BPM | ||
| The Motorcade | John Paesano | D Major | 7 | 10B | 120 BPM | ||
| 1.4_5-revenge1syourweakn3ss.ra | Mac Quayle | E Major | 3 | 12B | 180 BPM | ||
| We're Dealing with Pros | Mike Zarin, Tony Hajjar | B♭ Minor | 10 | 3A | 125 BPM | ||
| Clockwork | Ben Frost | G Major | 6 | 9B | 118 BPM | ||
| To Light Alone I Bow | S U R V I V E | B♭ Major | 2 | 6B | 120 BPM | ||
| Remote Warning | Petri Alanko | E Minor | 3 | 9A | 110 BPM | ||
| I Think I Should Start At The Beginning | David Wingo | G Major | 1 | 9B | 144 BPM | ||
| bad age | 65daysofstatic | D♭ Major | 5 | 3B | 98 BPM | ||
| Memories of the Space Age | OGRE Sound | B Minor | 5 | 10A | 108 BPM | ||
| 1.3_1-Ichosethis.ogg | Mac Quayle | B♭ Minor | 3 | 3A | 124 BPM | ||
| 2.0_2-FuxSocy.sln | Mac Quayle | A Minor | 5 | 8A | 128 BPM |