We Are Not Robots's 'Bathwater Shakes' had a release date set for December 10, 2025. Bathwater Shakes is explicit and may not be suitable for children. With the duration being about 3:30, this song is close to the average duration of a typical track. The song is number 3 out of 5 in FUTURE KILLS by We Are Not Robots. Going off of the ISRC code of this track, we detected that the origin of this track is from Canada. The popularity of Bathwater Shakes is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bathwater Shakes by We Are Not Robots is Vivace (lively and fast), since this song has a tempo of 165 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
The music key of this track is B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Youngblood | John Townsend | E Minor | 8 | 9A | 126 BPM | ||
| Do It All For Me | Letters From Suburbia | C Major | 9 | 8B | 175 BPM | ||
| Takers | Diamond Lake | B Major | 8 | 1B | 128 BPM | ||
| SLEEPWALKING THROUGH LIFE | Saints of No One | C Major | 8 | 8B | 200 BPM | ||
| The Core | The Damn Devils | A♭ Major | 7 | 4B | 120 BPM | ||
| New Motive Power | The Deadly Blooms | B♭ Major | 8 | 6B | 75 BPM | ||
| When It's Gone | Wildstreet | A♭ Major | 9 | 4B | 123 BPM | ||
| Wonderful Lie | Yesterdaze | F♯ Major | 8 | 2B | 145 BPM | ||
| I Don't Want To Be | Broad Peak | G Major | 10 | 9B | 170 BPM | ||
| The Payoff | Hyena Smyle | D Major | 8 | 10B | 82 BPM | ||
| Don't Really Like You | The Lyrics | F♯ Major | 8 | 2B | 145 BPM | ||
| Lost in Syndication | dayspells | G Major | 6 | 9B | 87 BPM | ||
| Death Wobbles | Hammers | F♯ Major | 8 | 2B | 145 BPM | ||
| Hellfire | Lonely wanderer | D♭ Major | 9 | 3B | 95 BPM | ||
| Comfortably Falling (Reimagined) | Sam Wood | C Major | 9 | 8B | 82 BPM | ||
| Shine On | Tales of Tomorrow | D Major | 7 | 10B | 156 BPM | ||
| untitled | RADICALS | D Minor | 8 | 7A | 81 BPM | ||
| Starstruck | Stages Of Decay | B♭ Minor | 5 | 3A | 140 BPM | ||
| The Stars Still Scream | The Silent Static | E Minor | 6 | 9A | 168 BPM | ||
| A Broken Radio | Credible Witness | A♭ Major | 9 | 4B | 165 BPM | ||
| Red Lights | Basement Alchemy | E Major | 8 | 12B | 118 BPM | ||
| Excuses | Rose Cora Perry & the Truth Untold | D♭ Major | 5 | 3B | 83 BPM | ||
| Left Out | Awaiting Abigail | D Major | 9 | 10B | 152 BPM | ||
| 8ball Darkroom | Keesofcase | G Major | 6 | 9B | 136 BPM | ||
| The Actors | Dan Schiz | F♯ Major | 8 | 2B | 145 BPM |