Krishnan, O.S. Arun, M R Gopinath, S. Ganapthi, A. Kiran KLumar, M. Kalai Selvam's ' "Aprana Parvathi - Nalinakanthi - Roopakam" was released on its scheduled release date, December 14, 2012. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 11 in the song's album "Prema Bhakthi". In this album, this song's track order is #1. Furthermore, we believe that the track originated from India. Based on our statistics, Aprana Parvathi - Nalinakanthi - Roopakam's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Aprana Parvathi - Nalinakanthi - Roopakam by Krishnan, O.S. Arun, M R Gopinath, S. Ganapthi, A. Kiran KLumar, M. Kalai Selvam having a BPM of 140 with a half-time of 70 BPM and a double-time of 280 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 5/4.
This song is in the music key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Arunagiri | T.R. Pappa, Tamil Nambi, T. M. Soundararajan | E Major | 3 | 12B | 89 BPM | ||
| Kovila Palukadu Kommavi Lathala | Parupalli Sri Ranganath, S. P. Sailaja | C Minor | 6 | 5A | 171 BPM | ||
| Rudra Kavacham | M. K. Sankaran Namboothiri | D♭ Major | 4 | 3B | 127 BPM | ||
| Narasimha Mangalastakam | Bhaktiranjan | A Major | 3 | 11B | 78 BPM | ||
| Avinaasi Pathu | Anil Nallan Chakravarthy, Lorna Patten Chakravarthy | C Major | 6 | 8B | 145 BPM | ||
| Surya Dandakam | Sri Hari Achyutha Rama Sastry | B Major | 3 | 1B | 68 BPM | ||
| Kanne Swamy Nai | Naarsingi Nursing Rao, Krishna Sai | E Minor | 6 | 9A | 143 BPM | ||
| Anbu Manam | Unni Menon | G Major | 7 | 9B | 137 BPM | ||
| Achapathu | SIVA DAMODHARAN AYYA | C Minor | 8 | 5A | 160 BPM | ||
| Dasarathanandana | Udaiyalur Kalyanaraman | A♭ Major | 7 | 4B | 134 BPM | ||
| Adu Mayile | Erode Rajamani | G Major | 10 | 9B | 120 BPM | ||
| Paasam Paranjothi | Sikkil Gurucharan | D Major | 4 | 10B | 90 BPM | ||
| Argalaa Stotram | S.Prakash Kaushik | C Major | 3 | 8B | 129 BPM | ||
| Koorai Veedu Pennai | Velan, Martin, Vasavi, Bala, Krishnan, Suganya, Deepan | C Minor | 3 | 5A | 88 BPM | ||
| Kannuthalan | Lalgudi Swaminathan | D♭ Major | 3 | 3B | 75 BPM | ||
| Senganavan Paal | V2S2, RAGAMALIKATV | A♭ Major | 3 | 4B | 99 BPM | ||
| Karunaala Bala Ganapatti | Narsing Rao | G Minor | 8 | 6A | 106 BPM | ||
| Deva ninai | Divya | E Minor | 5 | 9A | 82 BPM | ||
| Kumaarasthavam | Bhavadhaarini Anantaraman | A♭ Major | 4 | 4B | 178 BPM | ||
| Lambodharanukku | Sakthidaasan | A Major | 7 | 11B | 114 BPM | ||
| Anne Ivayum | Swasthika Swaminathan | D Major | 3 | 10B | 135 BPM | ||
| Devadundubhulathoda | S.V. Anand Bhattar | F Major | 7 | 7B | 148 BPM | ||
| Sthiratha Nahi nahi - Sarasangi - Ekam | Krishnan, O.S. Arun, M R Gopinath, S. Ganapthi, A. Kiran KLumar, M. Kalai Selvam | D♭ Minor | 3 | 12A | 136 BPM | ||
| Jagathjanani | Mylai Sisters | G Minor | 6 | 6A | 89 BPM | ||
| Bhavayami Gopalam | Surya, Talapakka Sri Annamacharya, N.S. Prakasa Rao | B♭ Major | 6 | 6B | 138 BPM |