Stephin Merritt's ' "Victorian Robots" was released on its scheduled release date, January 22, 2002. The duration of This song is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. Victorian Robots's duration is considered a little bit shorter than the average duration of a typical track. The song is number 13 out of 16 in Eban & Charley by Stephin Merritt. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Victorian Robots is currently unknown. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Victorian Robots by Stephin Merritt is Moderato (at a moderate speed), since this song has a tempo of 111 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Words You Used to Say | Dean & Britta | G Major | 4 | 9B | 90 BPM | ||
| Don’t Be Afraid Of Your Anger | Clem Snide | D Major | 4 | 10B | 83 BPM | ||
| Somebody Else's Parking Lot in Sebastopol | The Extra Glenns | D Major | 6 | 10B | 151 BPM | ||
| The Saddest Story Ever Told | The Magnetic Fields | G Major | 8 | 9B | 122 BPM | ||
| Greetings In Braille | The Elected | G Major | 5 | 9B | 66 BPM | ||
| For The Mekons et al | Palace Brothers | A Major | 3 | 11B | 115 BPM | ||
| Primrose | The Essex Green | C Major | 9 | 8B | 138 BPM | ||
| Cricket Problem | Stephin Merritt | B Minor | 10 | 10A | 183 BPM | ||
| The Sun on His Back | Camera Obscura | G Major | 6 | 9B | 133 BPM | ||
| Motherless Bastard | The Books | F Major | 4 | 7B | 131 BPM | ||
| Don't They Have Payphones Wherever You Were Last Night | Casiotone For The Painfully Alone | C Major | 2 | 8B | 87 BPM | ||
| Good Morning | Lullaby For The Working Class | D Major | 3 | 10B | 170 BPM | ||
| Snowfall | The Halo Benders | E Major | 4 | 12B | 173 BPM | ||
| One Little Flower More or Less | Stephin Merritt | D Major | 1 | 10B | 80 BPM | ||
| (David Bowie I Love You) Since I Was Six | The Brian Jonestown Massacre | G Major | 3 | 9B | 96 BPM | ||
| Cars And Parties | Edith Frost | B♭ Major | 6 | 6B | 108 BPM | ||
| Last Night I Said Goodbye to My Friend | Moe Tucker | C Major | 5 | 8B | 151 BPM | ||
| The Luckiest Guy on the Lower East Side | The Magnetic Fields | B Major | 8 | 1B | 79 BPM | ||
| Outer Space | John Grant | A♭ Major | 4 | 4B | 120 BPM | ||
| True Love Death Dream | Advance Base | G Major | 1 | 9B | 124 BPM | ||
| Chicago New York | The Aislers Set | G Major | 4 | 9B | 136 BPM | ||
| Braver Newer World | Jimmie Dale Gilmore | C Major | 5 | 8B | 123 BPM | ||
| When the Open Road Is Closing In | The Magnetic Fields | G Major | 5 | 9B | 131 BPM | ||
| The Goldheart Mountaintop Queen Directory | Guided By Voices | E Minor | 3 | 9A | 105 BPM | ||
| When We Become | Clem Snide, Eef Barzelay | E Major | 4 | 12B | 114 BPM |