"Beth’s Speech" by Ray Angry, Timo Elliston had its release date on March 25, 2022. With This song being less than two minutes long, at 1:15, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Ray Angry, Timo Elliston's "Life & Beth (Original Series Soundtrack)" album is number 23 out of 23. On top of that, United States appears to be the country where this track was created. Beth’s Speech is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Beth’s Speech by Ray Angry, Timo Elliston to be Adagio (slowly with great expression) because the track has a tempo of 70 BPM, a half-time of 35BPM, and a double-time of 140 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| On Broadway - Interlude 5 | Ryan Shaw, Ray Angry | E♭ Major | 2 | 5B | 110 BPM | ||
| On Broadway - Interlude 4 | Ryan Shaw, Ray Angry | D♭ Major | 4 | 3B | 123 BPM | ||
| After This | Ray Angry | B Minor | 1 | 10A | 183 BPM | ||
| Boneback | Sean Mason | D♭ Major | 7 | 3B | 95 BPM | ||
| Do You Know What It Means To Miss New Orleans? | Joshua Redman, Gabrielle Cavassa | A Major | 2 | 11B | 74 BPM | ||
| Move With a Purpose | Ghost-Note, Karl Denson | D Major | 7 | 10B | 96 BPM | ||
| Jibble Jabble | Ghost-Note | D♭ Major | 6 | 3B | 128 BPM | ||
| Roy's mood | Vittorio de Angelis, Takuya Kuroda | B♭ Major | 2 | 6B | 150 BPM | ||
| Certainty | Open Studio | B♭ Minor | 5 | 3A | 117 BPM | ||
| Circles Inside You | Ray Angry | F♯ Major | 3 | 2B | 82 BPM | ||
| Maiden Voyage | Marquis Hill | D Minor | 3 | 7A | 159 BPM | ||
| Bjork City | Ray Angry | F♯ Major | 3 | 2B | 82 BPM | ||
| The Jungaleers | Dave McMurray | A Minor | 7 | 8A | 115 BPM | ||
| Don't Break | Immanuel Wilkins, Farafina Kan Percussion Ensemble | D♭ Major | 6 | 3B | 178 BPM | ||
| Catch a Falling Moonbeam | The Sunset Hill Jazz Band, Paul Rossy | F Minor | 5 | 4A | 128 BPM | ||
| Goodbye | Spirit Fingers, Greg Spero, Judi Jackson | C Major | 5 | 8B | 138 BPM | ||
| Spartan Strong | Michael Dease, Ken Thompkins | B♭ Major | 2 | 6B | 150 BPM | ||
| Philadelphia Experiment | Philadelphia Experiment | C Major | 5 | 8B | 144 BPM | ||
| Make It So | Javier Nero, Randy Brecker, Shawn Purcell | B♭ Major | 2 | 6B | 150 BPM | ||
| Yellow Trumpet | Owelu Dreamhouse | B♭ Major | 2 | 6B | 150 BPM | ||
| Lenburu | FORQ | G Major | 7 | 9B | 114 BPM | ||
| Hutcheonite | Taylor Eigsti | A Minor | 7 | 8A | 119 BPM | ||
| Wrong Path | Terrace Martin | B♭ Major | 2 | 6B | 150 BPM | ||
| Frame for the Blues | Michael Dease, Nanami Haruta, Jack Trathen, Xavier Davis | B♭ Major | 2 | 6B | 150 BPM | ||
| Last Call | Léon Phal, Zacharie Ksyk, Gauthier Toux, Arthur Alard, Rémi Bouyssière | D♭ Major | 7 | 3B | 89 BPM |