Quincy Jones, Mervyn Warren's 'The Verb To Be' had a release date set for August 11, 1989. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 5 out of 40 in Back On The Block (Expanded Edition) by Quincy Jones. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, The Verb To Be's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of The Verb To Be by Quincy Jones, Mervyn Warren is Allegro (fast, quick, and bright), since this song has a tempo of 128 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Girl You Need A Change Of Mind | Eddie Kendricks | D Minor | 7 | 7A | 104 BPM | ||
| I Can't Let Him Down | Love Unlimited | D♭ Major | 9 | 3B | 97 BPM | ||
| Tidal Wave | Ronnie Laws | B♭ Major | 7 | 6B | 96 BPM | ||
| The Third Eye | Roy Ayers Ubiquity | F Minor | 5 | 4A | 123 BPM | ||
| I'm Back for More | Al Johnson, Jean Carn | F♯ Minor | 6 | 11A | 90 BPM | ||
| Midnight Love Affair | George Benson | F Minor | 5 | 4A | 79 BPM | ||
| What Cha Gonna Do With My Lovin' | Stephanie Mills | B♭ Minor | 7 | 3A | 103 BPM | ||
| Keep That Same Old Feeling | The Crusaders | F Minor | 5 | 4A | 104 BPM | ||
| Killer Joe | Quincy Jones | F Major | 3 | 7B | 125 BPM | ||
| T.K.O. | Womack & Womack | A♭ Minor | 3 | 1A | 134 BPM | ||
| My Lady | The Crusaders | A Minor | 4 | 8A | 91 BPM | ||
| Everything Must Change | Quincy Jones | A♭ Major | 1 | 4B | 131 BPM | ||
| Running Away - 12-Inch Long Version | Roy Ayers Ubiquity | B♭ Minor | 6 | 3A | 116 BPM | ||
| Love's Serenade | Ramsey Lewis | G Minor | 2 | 6A | 138 BPM | ||
| Close the Door | Teddy Pendergrass | F Minor | 5 | 4A | 178 BPM | ||
| Never Knew Love Like This Before | Stephanie Mills | B Major | 7 | 1B | 113 BPM | ||
| That's What You Get (For Being Polite) | The Jacksons | D Major | 6 | 10B | 99 BPM | ||
| Love Will Find A Way | Lionel Richie | D♭ Minor | 3 | 12A | 102 BPM | ||
| Me & Mrs. Jones | Tower Of Power | F Minor | 6 | 4A | 201 BPM | ||
| Heaven Sent You | Stanley Clarke | B Minor | 4 | 10A | 102 BPM | ||
| Your Secret's Safe with Me | Michael Franks | D♭ Minor | 5 | 12A | 120 BPM | ||
| Love's Train | Con Funk Shun | F♯ Major | 7 | 2B | 124 BPM | ||
| Hold Tight | Change | F Minor | 7 | 4A | 115 BPM | ||
| Life's Just A Ballgame | Womack & Womack | F Minor | 5 | 4A | 116 BPM | ||
| I've Got My Second Wind | Al Johnson | F Major | 7 | 7B | 95 BPM |