Rita Reys's ' "You'd Be So Nice to Come Home To" was released on its scheduled release date, December 1, 1992. The duration of This song is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. You'd Be So Nice to Come Home To's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 30 in the song's album "The American Songbook (Vol. 1)". In this album, this song's track order is #23. In terms of popularity, You'd Be So Nice to Come Home To is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With You'd Be So Nice to Come Home To by Rita Reys having a BPM of 106 with a half-time of 53 BPM and a double-time of 212 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Right to Love | Cæcilie Norby | C Major | 2 | 8B | 114 BPM | ||
| Theatre Lobby | The Pastel Hour | E♭ Major | 3 | 5B | 76 BPM | ||
| Tailpiece Marseille | Rosalie Jazz | G Minor | 4 | 6A | 133 BPM | ||
| The Investigation I Ignored | Jazz & Co. | F Minor | 1 | 4A | 71 BPM | ||
| Lacquer Coat | Still Geometry Jazz | G Minor | 2 | 6A | 70 BPM | ||
| I Stayed Where You Left Me | Ruben Natura | C Minor | 3 | 5A | 177 BPM | ||
| The Wind Remembers | Velour JAZZ | B Major | 2 | 1B | 97 BPM | ||
| Dawn Paisley | Eli Wash | G Minor | 3 | 6A | 77 BPM | ||
| Take Your Shoes Off, Baby | Carol Sloane | C Major | 4 | 8B | 95 BPM | ||
| That Old Feeling | Dorothy Dandridge | C Minor | 1 | 5A | 88 BPM | ||
| Observatory Dome | Impression Blue | F Minor | 3 | 4A | 75 BPM | ||
| Milk Swirls Like Galaxies | Timeless Hour | C Minor | 1 | 5A | 107 BPM | ||
| Chancel Step | Night Toy Orchestra | G Minor | 3 | 6A | 86 BPM | ||
| Midnight Ashes | ZChill Jazz | C Minor | 2 | 5A | 171 BPM | ||
| Sweet Jesus | celina suku | F Minor | 3 | 4A | 131 BPM | ||
| Backroom Serenade | Polaroid Sessions | C Minor | 2 | 5A | 72 BPM | ||
| All By Myself - 2006 Remaster | Sue Raney | F♯ Major | 0 | 2B | 98 BPM | ||
| My Town And Me | Soesja Citroen, Michael Moore | A Minor | 3 | 8A | 124 BPM | ||
| Last Night | Katherine Kostoff, Gil Goldstein | C Major | 2 | 8B | 81 BPM | ||
| Sax Serenade | Bronze Oracle | G Minor | 2 | 6A | 119 BPM | ||
| The Shadow Of Your Smile | Rita Reys, Trio Pim Jacobs | D♭ Major | 4 | 3B | 171 BPM | ||
| Santa Promise | Timeless Tone | C Major | 3 | 8B | 173 BPM | ||
| Monotype Ink | Still Geometry Jazz | E♭ Major | 3 | 5B | 75 BPM | ||
| Give Love One More Chance | Soesja Citroen | F Major | 1 | 7B | 57 BPM | ||
| Nocturne at Monti | Polaroid Sessions | C Major | 4 | 8B | 75 BPM |