Georg Philipp Telemann, Cordevento, Erik Bosgraaf, Marije van der Ende's ' "Concerto for Recorder and Bassoon in F Major, TWV 52:F1: IV. Allegro" was released on its scheduled release date, October 7, 2016. With this song being around four minutes long, at 3:30, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 20 in the song's album "Telemann: The Double Concertos with Recorder". In this album, this song's track order is #12. Furthermore, we believe that the track originated from Netherlands. Based on our statistics, Concerto for Recorder and Bassoon in F Major, TWV 52:F1: IV. Allegro's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Concerto for Recorder and Bassoon in F Major, TWV 52:F1: IV. Allegro by Georg Philipp Telemann, Cordevento, Erik Bosgraaf, Marije van der Ende having a BPM of 149 with a half-time of 74 BPM and a double-time of 298 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Oboe Concerto in C Major, Op. 9, No. 5: III. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | C Major | 3 | 8B | 103 BPM | ||
| Concerto for Violoncello and Orchestra in D major: III. Larghetto, con poco moto | Leonardo Leo, Sol Gabetta, Andrés Gabetta | B Minor | 0 | 10A | 77 BPM | ||
| Concerto in D Minor; Op. 6 No. 5: III. Moderato | Charles Avison, Café Zimmermann | D♭ Minor | 0 | 12A | 102 BPM | ||
| Symphony No. 5 in D Major, Op. 2, "St. Cecilia's Day Ode": III. Tempo di Minuetto | William Boyce, Aradia Ensemble, Kevin Mallon | E Major | 2 | 12B | 153 BPM | ||
| Viola Concerto in G Major, TWV 51:G9: I. Largo | Georg Philipp Telemann, Ensemble Masques, Olivier Fortin, Sophie Gent, Kathleen Kajioka | F♯ Major | 0 | 2B | 37 BPM | ||
| Sonata in D Major, No. 1: V. Allegro | Arcangelo Corelli, Lucy van Dael, Bob van Asperen | A♭ Major | 2 | 4B | 95 BPM | ||
| Concerto In D Major, Op. 26, No. 6: 2. Largo | Joseph Bodin de Boismortier, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 1 | 3B | 97 BPM | ||
| Flute Concerto in G Major, QV 5:165: III. Presto | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | F Major | 1 | 7B | 107 BPM | ||
| Concerto a cinque No. 8, Op. 9: II. Adagio | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | A Major | 2 | 11B | 83 BPM | ||
| Symphony No. 7 in B-Flat Major, Op. 2, "Pythian Ode": II. Moderato | William Boyce, Aradia Ensemble, Kevin Mallon | F♯ Minor | 0 | 11A | 124 BPM | ||
| Overture (Suite) in D Minor, TWV 55:d3: II. Menuets I and II | Georg Philipp Telemann, Northern Chamber Orchestra, Nicholas Ward | B♭ Major | 0 | 6B | 68 BPM | ||
| Concerto in F Major, S. 235: II. Andante | Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel | E Major | 0 | 12B | 121 BPM | ||
| Trio in E flat major / Mi bémol majeur / Es-dur: I. Affettuoso | Georg Philipp Telemann, Petra Mullejans, Gottfried Von Der Goltz, Freiburger Barockorchester | D Major | 1 | 10B | 90 BPM | ||
| Overture No. 6 in B-Flat Major: III. Allegro | Francesco Maria Veracini, L'Arte dell' Arco, Federico Guglielmo | F♯ Major | 1 | 2B | 117 BPM | ||
| Chacony in G | John Blow, Musica Antiqua Köln, Reinhard Goebel | F♯ Major | 2 | 2B | 120 BPM | ||
| Trio in G Minor for Violin, Lute and Basso, RV 85: I. Andante molto | Antonio Vivaldi, L'Arte dell' Arco, Diego Cantalupi, Federico Guglielmo | G Minor | 1 | 6A | 141 BPM | ||
| Sonata in G Minor, Op. 2, No. 3: I. Adagio | Benedetto Marcello, Collegium Pro Musica | F♯ Minor | 1 | 11A | 80 BPM | ||
| Dardanus Suite, RTC 35A, Act I: Rigaudons I & II | Jean-Philippe Rameau, Indianapolis Baroque Orchestra, Barthold Kuijken | F♯ Major | 1 | 2B | 93 BPM | ||
| Sinfonia a quattro: I. Allegro assai | František Tůma, Czech Ensemble Baroque, Roman Válek | B Major | 2 | 1B | 83 BPM | ||
| Concerto In Sol maggiore: Allegro | Modo Antiquo | F♯ Major | 1 | 2B | 111 BPM | ||
| Viola da Gamba Concerto in A Major: I. A tempo guisto | Johann Pfeiffer, Siegfried Pank, Stephan Mai, Dorte Wetzel, Christine Schornsheim, Akademie für Alte Musik Berlin | E♭ Major | 0 | 5B | 97 BPM | ||
| Concerto for 2 Trumpets in C Major, RV 537: I. Allegro | Antonio Vivaldi, Niklas Eklund, Jeffrey Segal, Wasa Baroque Ensemble, Edward Tarr | B Major | 2 | 1B | 111 BPM | ||
| Concerto a cinque No. 3, Op. 7: III. Allegro | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | A Major | 3 | 11B | 120 BPM | ||
| Sonata da camera in G Minor, "O Haupt voll Blut und Wunden": I. Largo | Johann Gottlieb Janitsch, Il Gardellino | F♯ Minor | 2 | 11A | 171 BPM | ||
| Trio Sonata in C Major, DürG 13: IV. Gigue. Presto | Johann Gottlieb Goldberg, Florilegium | G Major | 1 | 9B | 95 BPM |