Connie Converse's 'Here Is the Door' had a release date set for August 31, 2023. The duration of This song is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Here Is the Door's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Connie Converse's "Musicks" album is number 20 out of 34. On top of that, United States appears to be the country where this track was created. Here Is the Door is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Here Is the Door by Connie Converse to be Larghetto (rather broadly) because the track has a tempo of 66 BPM, a half-time of 33BPM, and a double-time of 132 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Better To Find Out For Yourself | Buffy Sainte-Marie | B Minor | 6 | 10A | 115 BPM | ||
| Hung Up | Dear Nora | A Major | 1 | 11B | 109 BPM | ||
| Lily Pond | Vashti Bunyan | C Major | 2 | 8B | 156 BPM | ||
| If I Were A Willow | Natalie Jane Hill | F♯ Major | 3 | 2B | 124 BPM | ||
| Step Away | Joanna Sternberg | F♯ Minor | 0 | 11A | 139 BPM | ||
| Dearest Dear | Shirley Collins, Davy Graham | F♯ Major | 2 | 2B | 124 BPM | ||
| When The Springtime Comes Again | John Fahey | E♭ Major | 2 | 5B | 92 BPM | ||
| Dreaming of You | Karen Black | C Major | 2 | 8B | 91 BPM | ||
| I Don't Mind Failing | Malvina Reynolds | G Major | 2 | 9B | 203 BPM | ||
| Mother Big River | Jessica Pratt | A♭ Major | 3 | 4B | 121 BPM | ||
| Like Never Before | Bridget St John | C Major | 4 | 8B | 70 BPM | ||
| Going down the road feeling bad | Elizabeth Cotten | B♭ Major | 2 | 6B | 103 BPM | ||
| Ida Red | Anna & Elizabeth | C Major | 2 | 8B | 104 BPM | ||
| Girl of Constant Sorrow | Barbara Dane | A♭ Major | 1 | 4B | 183 BPM | ||
| At Home In The Factory | Ed Askew | D Major | 1 | 10B | 124 BPM | ||
| Half Twain the Jesse | Jessica Pratt | A Minor | 3 | 8A | 116 BPM | ||
| How Sad, How Lovely | Connie Converse | E Minor | 1 | 9A | 83 BPM | ||
| Baby Where You Are | Ted Lucas | E♭ Major | 3 | 5B | 140 BPM | ||
| Vanity of Vanities (Original Recording) | Elizabeth Converse, Connie Converse, Christopher Goddard | F Major | 0 | 7B | 77 BPM | ||
| What More In The World Could Anyone Be Living For - Version 1 | Norma Tanega | D Major | 3 | 10B | 105 BPM | ||
| Gypsy John | Lavender Country | F Major | 5 | 7B | 119 BPM | ||
| Love For Love | Paul Clayton | C Major | 2 | 8B | 69 BPM | ||
| Waves | Norma Tanega | E♭ Major | 3 | 5B | 89 BPM | ||
| Make It Real | Dear Nora | G Major | 0 | 9B | 150 BPM | ||
| Telepathic Desert | Diane Cluck | G Major | 1 | 9B | 120 BPM |